James Cook Quotes
Quotes to Explore
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It's a combination of life being unpredictable, and you being super dumb.
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Musical compositions can be very sad - Chopin - but you have the pleasure of this sadness. The cheap consolation is: you will be happy. The higher consolation is the pleasure and recognition of your unhappiness, the pleasure of having recognised that fate, destiny and life are such as they are and so you reach a higher form of consciousness.
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With legitimate journalists I've always had a great time - I've never gone out of my way to court the press. That's probably cost me some money, but I've always had the respect of my peers.
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The very first role I ever played was as a 17-year old South African girl who dreamed of being a star and left home to meet her mother in the big city so that she could pursue that dream. I left South Africa and met my mother in Vancouver and not long after that was given the opportunity to perform on the stage and have people chant my name.
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One afternoon, on my way to the campus - I was majoring in political science at Nairobi University - a photographer by the name of Peter Beard stopped me in the street and asked me if I'd ever been photographed.
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I think everybody understands the fact that the right person will be cast for the role. So it's not theirs really to lose; they're just trying to find the right person.
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People talk about method actors, meaning someone that's prepared very, very well, or whatever they mean when they talk about it. But the right method is whatever works for you. And what works for me on any given day is going to be different.
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The classic war movies of the post-Vietnam era have generally taken on grand, philosophical themes: the meaninglessness of war, the grinding down of man by the machine - the machine being war itself, represented by someone like Gunnery Sergeant Hartman in 'Full Metal Jacket,' the sadistic marine who turns his boys into instruments of death.
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All you can do is focus on telling the best story you can with compelling characters. If you do it right, it will endure. If you do it wrong, it won't.
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I try to do things I love or care about for some reason.
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I just want to play for Hindus and Muslims that sit together. That's all I want to do.
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For 'Ghostbusters,' the thing that makes it such an amazing franchise and an amazing idea is that it is adds the element of physics and technology. It's not just about ghosts. Who the heck came up with that? It is such a good idea, such a unique combination of stuff from different genres. Ghosts and sci fi.
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Everybody likes a compliment.
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There is a sufficiency in the world for man's need but not for man's greed.
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I always wanted to be with a woman who has the same mindset and wants to look after me like my mum.
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Stand-up comedians say that anyone in the audience can be funny, but people paid to see us because we're just a little bit funnier. In the same way, I think anybody can play music - in fact, I think everyone has music in them, but some of us can do it a little better.
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I don't know why everyone feels the pressure to look young. Personally, I hate it. I don't want to inject Botox and look young forever. It's living in denial and anything that has an undercurrent of this philosophy is bad for your growth.
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Never give up on what you really want to do. The person with big dreams is more powerful than the one with all the facts.
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I like to find the beauty in the ugly. When I'm in a thrift store, I gravitate toward pieces I know I'll wear a ton, and insane pieces that I'm sure most people would consider gross. But I find them inspiring. Our van is currently stocked with some of my random findings from this tour. Maybe I'll call my aesthetic 'van fashion.'
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I don't want to make decisions about what I'm eating or wearing. Because I have too many other decisions to make.
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We've got to win them all and get help from other teams, but we are going to push until the end.
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I cried most days working on the first draft. The last scenes were the hardest. I had a feeling where I wanted to end - the exact note - but I couldn't see how to get there. Sarah Murphy, my editor, asked the right questions to help me. I think of 'The Bear' as a hopeful book.
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We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical field of human relations in which the action takes place, but employs and encourages those thoughts and feelings which help transform the field itself.
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Those who help the poor the most also hurt them the most.
