James G. Stavridis Quotes
In the 20th century, we built a lot of walls - we endlessly tried to build walls between us and people we perceived, correctly or incorrect, as our enemies. In the 21st century, because of the advent of networks, the free movement of goods and people across the globe, we need to build security by building bridges instead of building walls.
Quotes to Explore
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On a large scale, people aren't going to cut back how much they use. That's a pipe dream. If anything, as the developing world gets richer, the world's going to consume more - more cars, bigger homes, more energy, more water, more food.
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I worry about whether SBA programs are still doing what they are meant to do - support lenders who fund good business startups and good expansion plans.
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I just didn't expect an acoustic version of Rock'n'Roll All Nite.
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You gotta ask 'why' questions. 'Why did you do this?' A 'why' question you can't answer with one word.
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We're going to create a portable handheld environment, and you should expect the same things you've always expected from Playstation - a great quality product, versatility, great value to the consumer.
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I don't really see myself as a celebrity, but more as a sort of mitre.
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America believes what's good for us is good for the world. It's very difficult to understand that that's not necessarily true.
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I have the potential to be very strong and powerful, sometimes angry, sometimes passionate. I also can be shy and withhold that because I am afraid. I don't want to freak anybody out with my passion... So I struggle with that all the time.
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Part of the reason for moving to New York was the sense that it just didn't matter how much work I did in England, I continued to be seen simply as a Redgrave. I did feel I could be who I am in New York and we all like to feel appreciated.
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I feel like 'Work' was a really good song for people to get to know me, as it's obviously biographical. With 'Bounce,' I wanted to make sure people know there's a fun side to me as well as the somber and serious one.
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In a sense I portray myself in a very androgynous way, and I love androgyny.
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Possessions. The very word is potent - suggestive as it is of ownership both material and erotic. To possess. Possession. Possessed.
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I think that 'Lost' is a bit of a dinosaur in terms of the type of show it is. The economics just don't support making a show this big and complicated profitable enough for a network.
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There is plenty of building material and more than enough manpower to make a decent home for every Cuban. But if we continue to wait for the golden calf, a thousand years will have gone by, and the problem will remain the same.
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One of the things about the '70s films I love - the films 'Nightcrawler' is being compared to, like, 'Taxi Driver' - is that they never put their flawed characters into any one box.
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You realize when you're pregnant how lucky you are to have access to medical care.
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I was very pleased, obviously, to have outsold such great writers. But I'm not insane - I do realize that I am a popular writer who people buy to take on vacation.
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Dressing for yourself and not a man is definitely something I advocate.
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All of a sudden, those few pages of script that he had shown me with the weird images I could visualize all of that in my brain, and I knew that there was this mad little genius at work here and I really wanted to do the film.
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Her experience had taught her that people who insisted on having others recognize their outstanding qualities usually didn’t have any.
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Coming from an action background, I always approach the action sequences in any script as kind of placeholders.
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The first instrument is not the final instrument.
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People are losing the capacity to listen to words or follow ideas.
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In the 20th century, we built a lot of walls - we endlessly tried to build walls between us and people we perceived, correctly or incorrect, as our enemies. In the 21st century, because of the advent of networks, the free movement of goods and people across the globe, we need to build security by building bridges instead of building walls.
