Eithne Pádraigín Ní Bhraonáin Quotes
I know every note in every song, the whole history of it, even parts that were there and are gone.

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The only thing that's going to free Huey is gun powder.
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Microcurrent devices are actually really good because they stimulate the muscles, but I'm not a big fan of injectables. You don't know what they'll do to your face in the long run.
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I don't think anybody thinks they're bad, just in life, in general.
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Planning bores me. I like to go with the flow. Being whimsical is nice, occasionally. It keeps things fresh; there's no expectation.
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I didn't want to give up my Illinois driver's license and was unaware that was a crime. It is, by the way, in the state of California. Lesson learned. I technically broke a law, so technically I deserve whatever I get.
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Acting is merely the art of keeping a large group of people from coughing.
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I think the Catholic faith is consistent with the kind of conservatism I believe in.
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It's been tough for me being away from the game.
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When I got '227' and broke out from the rest of the cast, I became a workaholic, and I was very lonely.
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I have no tattoos that I regret - I have had some that I have had changed according to how my life was.
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If you just keep your head down, work, and put it on the bottom line, sooner or later that takes care of everything else.
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There are a lot of dynamics and a lot of politics that go into records and getting played on the radio.
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Luckily, I have been offered the chance to play a South American, Hispanic and even a character from the Middle East in films. There are also a lot of TV series in the U.S. that have a strong presence of actors from India.
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I save everything. I have these carefully organized file boxes. Somewhere in there is a section of the 'New York Times' where I wrote 'The Border Guard' in the margin.
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I have an insatiable palate. I'll try anything once, with an open mind. However, there is a special place in my heart for Kraft Macaroni & Cheese. Don't get me wrong, I've sampled specialty Mac & Cheese all over the world, but nothing competes with the stuff I grew up on.
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I turn people into human beings by not making them into gods.
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Most interviewers are looking for a headline. They're not skilled. They're looking for shock value.
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I prefer to underplay scenes rather than, you know, be big and drive them. And sometimes you have to do that, but I like the more natural styles.
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In high school, I was always into Jerry Lee Lewis, and they decided they needed a piano player for the jazz band. I had my little boogie-woogie thing that I did, so I did my little boogie-woogie thing. I had a very high-pitched voice.
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It is the growing custom to narrow control, concentrate power, disregard and disenfranchise the public; and assuming that certain powers by divine right of money-raising or by sheer assumption, have the power to do as they think best without consulting the wisdom of mankind.
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The assumption that everything past is preserved holds good even in mental life only on condition that the organ of the mind has remained intact and that its tissues have not been damaged by trauma or inflammation. But destructive influences which can be compared to causes of illness like these are never lacking in the history of a city, even if it has had a less chequered past than Rome, and even if, like London, it has hardly ever suffered from the visitations of an enemy.
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Working with Olivia Colman has probably been the highlight of my career so far.
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You spend your childhood wanting to get out from your house and wanting to get away and out into the real world and then as adults we start to learn that things are not what we thought they were.
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I know every note in every song, the whole history of it, even parts that were there and are gone.