Franz Grillparzer Quotes
If we notice a few errors in the work of a proven master, we may and even will often be correct; if we believe, however, that he is completely and utterly mistaken, we are in danger of missing his entire concept.
Quotes to Explore
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My dad has totally taken my Cat Stevens T-shirt, but it's OK; I have his Black Flag one, and that's amazing.
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My father insisted that I and my sisters not be indoctrinated into any religion at any age.
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Having a million-dollar net worth doesn't make you a genius, and having less than a million-dollar net worth doesn't make you a fool.
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The search for knowledge is a long and difficult task.
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There are times in my life when I just want to be by myself.
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I'm not politically correct.
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I am a very loyal man and always keep my promises when I commit to something.
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We cannot rest until we make sure that our families can afford to live and raise their kids here, that our seniors can remain in their homes and afford their health and pharmaceutical costs.
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I'm not desperately looking for a man, but I'm sure one of these days, I'll find my Mr. Right.
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Whatever our bedtime was as kids, we could stay up an extra half hour if we were reading. My parents didn't care as long as I was under the spell of a Stephen King or a Douglas Adams. Now I read in bed. I read at work. I read standing in line. It's like, 'Hello, my name is Nathan and I am a reader.'
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Embrace the grease, if any, and look fresh and human. I like to look like a glazed doughnut.
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Comedy is a great weapon of attack. It's not a great weapon of support.
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The thing that I really look for in people is enthusiasm and excitement and, not to sound really sappy, that fire in their eyes.
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To do more of a concert thing, it takes so much preparation. You don't just show up and wing it. You're putting countless hours in the studio, not just to write and produce stuff, but to come up with edits and special things for the show.
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I love the idea of using film language similarly to how musicians use music - combining images and sounds in a way that they create an emotional effect.
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I write and rewrite and rewrite and write and like to turn in what I think is finished work.
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In studio films, everything has to be boxed in, everybody needs to know beforehand - this is comedy, this is sci-fi, this is drama - and what's the point of independent film if you don't get to experiment?
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Those who get stuck doing the same things for too long are bound to get left behind the strong who press on and re-invent themselves.
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I demand pretty aggressive goal setting and a commitment to measured progress towards those goals because I don't like surprises. I don't even like good surprises.
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No one chains a slave without chaining himself.
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After I resigned, I could eventually speak for myself, but when it first happened, I was in complete shock, and it took a long time for me to overcome it.
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Very quickly, kids take your plan and say, 'Ha!' so you have to learn to be adaptable, or you will be literally miserable.
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If we notice a few errors in the work of a proven master, we may and even will often be correct; if we believe, however, that he is completely and utterly mistaken, we are in danger of missing his entire concept.
