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Before every show, we get into a circle, hold hands, and someone makes a speech. Most bands are too cool for that.
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I'm a performer and have managed to get my performing into the mainstream consciousness of the world, I guess.
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Water is my main state. If I time before I run - like, to digest, like, a good hour and a half or so to digest, I'll eat oatmeal. but I'm a vegetarian for the most part, so in general, I just eat grains and vegetables and fruit.
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All my career, all that I've really done has been based on emotion and intuition and gravitating toward what sounds good.
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We were these arty punks from Hollywood. I considered myself an intellectual.
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When I first heard about Twittering, I thought it was the most disgusting thing I'd ever heard of in my life. It's like the devil: the idea that your personal life is there for everybody.
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Music is made up out of these building blocks. Studying how these blocks go together and what they consist of and the math of how it works - it's all the same stuff; it's just different aesthetics that we're talking about.
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When I was a kid, and it was time to go to college, I thought, 'College is for people who don't have the street smarts to make it on their own - get in a band, get in a van, and get rockin'.
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I love my life and my mistakes and my triumphs - all of it.
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When something comes up, and it's interesting, and I have the time, I'll do it.
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When I was growing up, in L.A., I went to these schools, Fairfax High School, Bancroft Junior High School, and they had great music departments. I always played in the orchestra, the jazz band, the marching band.
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Panurge auoyt la pulee en l'oreille.
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You teach your kids about your beliefs and tell them what you think is right and the conclusions that you've come to from living in the world, and then they can make their own decisions.
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Later in high school, I met Hillel Slovak, who was the original guitar player of the Chili Peppers, and we became really close. We had a band, and we didn't like the bass player, so I started playing bass, and I got a bass two weeks later.
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The Silverlake Conservatory is a nonprofit music school in Los Angeles where we teach music, mostly to kids, but to people of all ages - people who are old, people with beards, all kinds of people.
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I feel creatively vibrant. I have some great friends; I feel like I'm capable of giving a lot to the world. And ultimately, that's what I really care about, is just giving.
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When I'm at home, I just run all the time, you know; I get up, and I go pretty much four days a week outdoors. I go in the canyons around L.A., Malibu - just around L.A. there's a lot of different spots.
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I worked full time jobs, basically doing manual labor until I could make enough money supporting myself as a musician.
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I grew up with all these old jazz guys in the '70s in L.A., and they grew up idolizing Charlie Parker, Charles Mingus, Lester Young - all of these incredible musicians.
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I was raised to think that rock was music for ignorant people who didn't think for themselves.
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When you make music, you're forming these invisible vibrations in the air into different shapes and consistencies and speeds in order to create music, and understanding how the math of that works just gives you more colors to paint with, and allows you to get to what you want quicker.
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The most important thing to me with any politician is that they don't start wars, but education is a big part of that, too, because educated people are less likely to do stupid, violent things.
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I always thought I was a pretty terrible actor.
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For me it's the high-water mark of American culture - not so much contemporary jazz, which has become kind of academic, but the jazz from the '20s on through the '70s.