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For me it's the high-water mark of American culture - not so much contemporary jazz, which has become kind of academic, but the jazz from the '20s on through the '70s.
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The quality of instruction is very high at the Silverlake Conservatory of Music. It's not about being a rock star. It's about the fundamentals of music, theory and technique on a particular instrument, and playing in an ensemble or private setting.
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I exercise; I have a big career. I'm a parent, and I run a music school.
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My father was out of my life when I was pretty young - when I was 7 years old, he was gone. I didn't see him for the rest of my childhood.
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I love entertaining people, I love playing music, and I love rocking like an animal. But at a certain point, you're playing gig after gig after gig, in town after town after town, and you're lying down, staring at another hotel-room ceiling, and it's like, 'I want to be home. I'm a dad. I've got kids.'
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I love literature deeply. I view books as sacred things, and in writing my story, I'm going to do my best to honor the form that has played such a huge part in shaping who I am.
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Music gave me something that was not only good for me - it gave me something to work on, something to be proud of and something that I really loved and have a love for - but also music was good for other people because you put joy into the world.
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When I was in school, you could pick any instrument you want, and they'd teach you how to play it. That changed my life. I loved playing music in school, and it sent me on my path as a musician.
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Ethiopia is such a great country, beautiful place.
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Then mimick'd my voice with satyrical sneer,And sent me away with a Flea in my ear.
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We always write way more than we put on a record. We always write a lot-lot.
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As a musician I'm about expressing what's inside, and I think everyone has a song in them that they need to get out, whatever their gig is.
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I went to school and studied music for a year at USC, which unlocked a bunch of doors for me in terms of my relationship to music.
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The last thing that should happen is funding cut for education; it should be increased. We need to put more money towards education, and anything else is abusive.
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I have a trainer, a really nice woman named Nina Greenberg, and she got me a training plan, and we go running in the canyons in Malibu. It's just beautiful up there, absolutely gorgeous. You see bobcats up there sometimes.
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We must improvise, and we must experiment, and we must do things that might go wrong, and everything we bring - the people and the equipment - must serve us in that goal.
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I had a friend who had been teaching music for a long time, and he knew a bunch of teachers, so I just put up the money and started a school.
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For me, music was the only reason I went to school. I was kind of a street kid, in a lot of trouble committing crimes and stuff. Music gave me something to focus on.
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'I cannot raise my worth too high;Of what vast consequence am I!''Not of the importance you suppose,'Replies a Flea upon his nose;'Be humble, learn thyself to scan;Know, pride was never made for man.'
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We were at the dark end of the L.A. punk scene, and that scene was full-on and violent and aggressive and wild and intense.
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Outside of a couple of times I ran without eating right or being too tired, I always feel great after I run.
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When Hillel died, it was during one of the happiest times of my life. I was married and completely in love and had a baby on the way.
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I was on a path that could've really led to disaster, and the one thing for me that really kept me focused and gave me something to believe in and a sense of self-worth and a discipline was music.
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The apparatus has to serve our improbability and improvisation. Being good and playing the songs is not enough.