James Horner Quotes
I think people hire me for the slightly weird angle that I bring. Part of the trick is keeping it sort of simple; you have to give the impression of not that much music playing when there's really a lot.
Quotes to Explore
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When I'm on stage, I know exactly where I am. It's not an ego thing or anything like that, but I am more in my body and aware of myself and aware of what I'm doing, and I feel more from that, from sharing the music.
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Consumerism is so weird. It's a sort of conspiracy we collude in. You'd think shoppers spending their hard-earned cash would be highly critical. You know that the manufacturers are trying to have you on.
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I'm smart enough to know to work with smart people.
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Writers always have confidence issues - it comes with the territory. We never know where we fit in, or what the actual value of our work might be. So we hit lulls, or slogs. Throw in the idea that many creative people are somewhat manic-depressive, and it can get pretty dark at times.
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The Hindu nationalists see a religion near perfection save for the tampering of Muslims and Christians. So they fall upon these groups, rather than try to reform their own practices by drawing on India's sophisticated philosophical traditions.
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I try to beat back the producers and engineers so they - there's not an excess of stuff used to squeeze my voice to make it artificial. There's a person in there, and people will listen; if they hear another person speak to them, they'll listen because it's lonely out here.
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I can't take the subway anymore. I think I can still take the bus, though. It's a double-edged sword because I'm grateful that people recognize and support me, but there are definite downsides to that.
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Gospel music always relaxes me and calms my nerves.
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If architecture is frozen music then music must be liquid architecture.
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I love music and I love musicians and when I hear something that's great, I always say it's like you go to a movie and you can't wait to tell your friends about it.
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I tell people to look at me and understand that everybody first told me that I couldn't be a 6-foot, 9-inch point guard, and I proved them wrong. Then they told me I couldn't be a businessman and make money in urban America, and I proved them wrong. And they thought I couldn't win all these championships, and I proved them wrong there as well.
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Hobbits are an unobtrusive but very ancient people, more numerous formerly than they are today; for they love peace and quiet and good tilled earth: a well-ordered and well-farmed countryside was their favourite haunt.
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I don't attempt to make people uncomfortable; I think that my standards in terms of art and journalism always have necessitated my discomfort.
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My life is not that glamorous. I actually live a pretty simple life, really. I just work. I don't have time to do all these glamorous things. I just do my thing, just work.
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I'm always searching for new music, and I change what I listen to on a regular basis.
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There's people making babies to my music. That's nice.
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You can only be a monster if people let you be a monster.
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As much as I don't want to admit it, I really am a people pleaser. If I throw a party at my house, it's hard for me to relax. I'm too obsessed with whether everyone's having a good time.
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If you don't have the right people around you and you're moving at a million miles an hour you can lose yourself.
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Treating feminism like it's a personal accessory that just isn't appropriate anymore obscures the places where feminism hasn't made strides for people who still need it.
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There's a freshness to the approach of teen chefs. They're lighthearted, and they're not afraid to take risks.
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A sort of anteneurosis of what I will be when I will not longer be freezes my body and soul. A kind of remembrance of my future death makes me shudder from the inside.
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Under no circumstances will I allow the Fianna Fail party back into government. They wrecked the economy twice.
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I think people hire me for the slightly weird angle that I bring. Part of the trick is keeping it sort of simple; you have to give the impression of not that much music playing when there's really a lot.
