James J. Gibson Quotes
Quotes to Explore
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Maybe I fear things going wrong so much that I pre-empt them by not getting excited about them when they appear to be. going well.
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Judge of your natural character by what you do in your dreams.
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I kind of wanna be pro basketball, pro skateboarder.
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Allowing homosexuality means allowing satanic rights.
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I look for my opportunities, not trying to go outside of my genuine realm, because leadership has to be genuine and authentic.
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Programs like food stamps, unemployment insurance, Medicaid, and job retraining help Americans get back on their feet when they are down and out and laid off through no fault of their own.
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I was always looking for evidence of these common musical roots, but I was too young to know that what I was doing was called ethnomusicology.
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I have now exactly the same weight I had when I was 18, 20.
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'Idol' was groundbreaking television. I am very fortunate to have won the show at the time. 'Idol' changed my life, and I am thankful.
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I love thinking about the film, the project and committing myself as much as possible.
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There's so much bullying with young people and them feeling like they can't come out, and they don't know what to do. And it's something that you have to work through. And, you know, for me, it was - I came out, and then I went back in for a minute. And then I came out, and I was like, 'You know what? This is who I am.'
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What makes me happy is just curling up in with my mom in her bed and watching a marathon of 'CSI' and 'Grey's Anatomy' episodes with pints of ice cream.
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So I had a couple of years of playing trumpet. I really enjoyed it, but it was not the kind of instrument you could whip out at a party. Let's face it.
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Certainly, I've loved musicals for a while, so I did some short films in college that had musical numbers and things like that, so I've kind of been obsessed with Fred and Ginger and Vincente Minnelli and Stanley Donen and Jaques Demy forever.
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Money is not important to me. What makes me feel successful is making the people I love happy.
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I seem to be able to just sort of sink and slide under the radar, which is nice.
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In every rebellion is to be found the metaphysical demand for unity, the impossibility of capturing it, and the construction of a substitute universe.
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'One Hundred Years of Solitude' is a masterpiece because it is an episodic novel that has a rigorous form - an unprecedented combination. From the very beginning we know the town of Macondo will endure only a century, so there is a limit to the length of the narrative.
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Parents don't make mistakes because they don't care, but because they care so deeply.
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You find your eyes are growing moist. All the fears never voiced say you have to make your final choice.
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I wouldn't say that I'm actually trying to cause chills in the audience, but certainly my goal is to, at the very least, effect a physiological response - at the most, to effect some sort of state change, ideally, in the audience.
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Hence it is that the shape of something is especially meaningful.
