James Lecesne Quotes
In the early '90s, I wrote a play called 'Word of Mouth' in which I played a number of different characters. One was a thirteen-year-old boy who, through a series of diary entries, realizes that he's gay.
Quotes to Explore
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I never thought that I would become a staple in the Australian cultural diet. The equivalent of bread or milk, or a fine old Tasmanian Mauve Vein. I think it's because I talk about things that people dare not mention. I don't mean raunchy things or unsavoury things. I call a spade a spade - I discuss things in a realistic manner.
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Because I was poor I had one special advantage. When you are poor, and basic survival is your concern, you have no alternative but to be an entrepreneur. You must take action to survive just as you must take action to seize an opportunity.
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There is more refreshment and stimulation in a nap, even of the briefest, than in all the alcohol ever distilled.
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If you're in the best team in the world, you or your teammate have to win.
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Writers have an opinion about the world and offer arguments about the world. They should offer contemplation.
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I always saw myself as a large stockholder trying to make a difference. I wasn't raiding anybody.
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I can go back to Egypt anytime I want. Can I leave Egypt anytime I want? I think I can. I think I can.
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War is the greatest failure of mankind.
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But the age of chivalry is gone. That of sophisters, economists, and calculators has succeeded; and the glory of Europe is extinguished forever.
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Once we can do Pixar-quality graphics rendered in real time with interactivity, I could see games costing $200 million to make, and all of a sudden you have to sell a lot of games just to break even, so I'm a little worried someone's going to do that.
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One of the things that has been very difficult in Libya is the sense of uncertainty - the sense that they haven't actually finished the revolution, that there was still a great deal of uncertainty. That uncertainty has made Libya harder for business in terms of oil and other things as well.
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Everything's so accelerated now.
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There is nothing I'm any more passionate than empowering the next generation.
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I don't want to wait 20 or 50 years for something to be done about petrochemical pollution.
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As a 17-year-old, I remember positively dreading dance sequences. I would come to shoots, quaking with nervousness at the idea of making other artistes do retakes due to my mistakes.
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I've been training quite hard.
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If there's no fire, there's no scream. If there's no scream, then no one hears you and no one comes to help you in the first place. The depth of my struggle has definitely determined the height of my success. To be able to teach my kids not just about success but about the struggle that comes with it.
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For me, soccer was a dance.
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One of the great things about music is that it has the capability of time travel - you smell a certain smell in the room and it takes you back to your childhood. I feel like music is able to do that, and it happens to me all the time.
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At 3 years old, I was imitating and doing fun little commercials for the family. Then at 5, I knew, 'OK, this is something I really like.' At 8, I was crying in front of the mirror and my mom was like, 'Oh boy, here we go. We know what she's going to do.'
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I wanted to do a comedy. I'd been actively looking for a comedy. I wanted to do one that was different. Nothing against them, but I wasn't interested in just your normal sitcom, boy meets girl.
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Sometimes it just happens - to the wrong people at the wrong time.
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In the early '90s, I wrote a play called 'Word of Mouth' in which I played a number of different characters. One was a thirteen-year-old boy who, through a series of diary entries, realizes that he's gay.
