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I think this orchestra's strengths involve drama and voice.
James Levine
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It has to be able to play at the maximum expression and communication in every style, and the only way you can do that is - like Verdi said - working with a file, every day, little by little, until the orchestra's collective qualities emerge.
James Levine
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A lot of people get impatient with the pace of change.
James Levine
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Everybody blames the culture without taking responsibility.
James Levine
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When they are performing in front of the public, they ought to have a sensation that's relatively easy, if the technical and the interpretive work was done before.
James Levine
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We're in the midst of an evolution, not a revolution.
James Levine
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As major orchestras around the world are gripped in various kinds of crises and upheaval, we need to be sure that we are bringing up this new generation.
James Levine
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I have a big problem with conductors who gesture a lot.
James Levine
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I can imagine wanting to work with this ensemble and this company always.
James Levine
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We do not seem to be finding tomorrow's Toscas.
James Levine
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We found that when people put this issue on the table, it turns out that men acknowledge the issue, and employers and employees can work out solutions just as working mothers do.
James Levine
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At my age, you are naturally inclined towards teaching.
James Levine
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You try on purpose to get players with different qualities which will rub off on one another.
James Levine
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They've really got to recognize that all of us bring some of our family issues to work and our work home.
James Levine
