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I thought I'd write one book and the world would change overnight.
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Everybody blames the culture without taking responsibility.
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I think this orchestra's strengths involve drama and voice.
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A lot of people get impatient with the pace of change.
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We're in the midst of an evolution, not a revolution.
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I have a big problem with conductors who gesture a lot.
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As major orchestras around the world are gripped in various kinds of crises and upheaval, we need to be sure that we are bringing up this new generation.
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When they are performing in front of the public, they ought to have a sensation that's relatively easy, if the technical and the interpretive work was done before.
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I can imagine wanting to work with this ensemble and this company always.
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We found that when people put this issue on the table, it turns out that men acknowledge the issue, and employers and employees can work out solutions just as working mothers do.
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We do not seem to be finding tomorrow's Toscas.
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You try on purpose to get players with different qualities which will rub off on one another.
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At my age, you are naturally inclined towards teaching.
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They've really got to recognize that all of us bring some of our family issues to work and our work home.