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As major orchestras around the world are gripped in various kinds of crises and upheaval, we need to be sure that we are bringing up this new generation.
James Levine -
I thought I'd write one book and the world would change overnight.
James Levine
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I have a big problem with conductors who gesture a lot.
James Levine -
I think this orchestra's strengths involve drama and voice.
James Levine -
When they are performing in front of the public, they ought to have a sensation that's relatively easy, if the technical and the interpretive work was done before.
James Levine -
We're in the midst of an evolution, not a revolution.
James Levine -
Everybody blames the culture without taking responsibility.
James Levine -
I can imagine wanting to work with this ensemble and this company always.
James Levine
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More and more couples are having this negotiation or discussion, but I'm still amazed at the number who aren't and where the cultural norm sort of kicks in and they just assume that mom's got to be the one who stays home, not dad.
James Levine -
We found that when people put this issue on the table, it turns out that men acknowledge the issue, and employers and employees can work out solutions just as working mothers do.
James Levine -
You try on purpose to get players with different qualities which will rub off on one another.
James Levine -
We do not seem to be finding tomorrow's Toscas.
James Levine -
At my age, you are naturally inclined towards teaching.
James Levine -
They've really got to recognize that all of us bring some of our family issues to work and our work home.
James Levine