Philomena Kwao Quotes
I'm from Ghana, in West Africa, and all the women in Ghana absolutely love shea butter. We use it for everything, head to toe. I've used it all my life.
Quotes to Explore
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I haven't done Vine in a long time, and when I first started, I just did stuff that I thought was funny.
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Your dresses should be tight enough to show you're a woman and loose enough to show you're a lady.
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I would love to have been around in the Keystone Studios days.
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Most people treat the present moment as if it were an obstacle that they need to overcome. Since the present moment is life itself, it is an insane way to live.
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I think it is more a cautiousness that protects me from enthusiasm about things. I tend not to get excited. People perceive it as a scowl, which is fair enough.
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We were only allowed to watch Sesame Street and Mr. Rogers and 3-2-1 Contact!
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History is the present. That's why every generation writes it anew. But what most people think of as history is its end product, myth.
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During my captivity, I felt abandoned by everyone apart from my family and supporters, because there was no part of the political spectrum that would want me released.
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It isn't often that the logic behind a policy is so clear. But when it comes to the value of educating girls, the evidence speaks for itself.
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I had to learn to not be so hard. And I had a wife and, at that time, a partner when Samori was born, and for most of Samori's life, a partner, who, for whatever reason, did not have to learn that and was very tender and very, very soft with him.
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My husband and I have season tickets to the Giants games, and we go there as fans to enjoy it.
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It's not necessary that every film has to hit Rs 100 crore box office, or the Rs 50 crore budget. If the film makes double of its project budget, we consider that a hit, and that also means that the film is in profit.
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As scary as it is, I like making real, direct eye contact with people from the stage. In a sense, it's like modeling: that feeling of locking in and projecting some kind of emotion to try to captivate people.
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I never edit the songs that come out. And they tend to come out as a whole. The closest thing I have ever done to editing them is just cutting out a verse, but never rewriting lyrics.
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I never, by any regard, ever denied any part of my family roots.
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I have suffered as much as Martin Luther King. Only I didn't get the bullet. And I would have taken the bullet if I could have.
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Being an actress can be a little like being a girl in the '50s: You're stuck waiting by the phone, hoping that the boy you like will call.
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I know the consequences of my decisions. I've said no to the biggest of brands. So when I say no to something, I know how much business I will lose out on.
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The middle aged madonnacalls her neighbor on the phone.Day by day, the seasons passand leave her life alone.But she'll go walking out that dooron some bright afternoonto go and paint big citiesfrom a lonely attic room. - Middletown Dreams (1985)
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I think male authors who want to try to tackle these issues of representation of women can generally do a better job if they try to question traditional notions of masculinity and the sort of toxic nature of traditional ways of presenting masculinity.
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Which is what one always hopes will happen: for life to take over and be bigger and more marvelous than what we can dream up on our own. Life doesn’t need magic to be magical. (But a little bit sure doesn't hurt.)
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It is probable that both in life and in art the values of a woman are not the values of a man.
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We live in an era of globalization and the era of the woman. Never in the history of the world have women been more in control of their destiny.
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I'm from Ghana, in West Africa, and all the women in Ghana absolutely love shea butter. We use it for everything, head to toe. I've used it all my life.
