Phyllida Lloyd Quotes
You can't wait for someone to discover you; you have to just get on and do it. Have confidence that directing is a very suitable job for a woman - with our gift for collaboration, listening, and reading the nuance of things.
Quotes to Explore
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As long as I am nothing but a ghost of the civil dead, I can do nothing.
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The moment you give up your principles, and your values, you are dead, your culture is dead, your civilization is dead. Period.
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In a marathon, if you run too fast, you get exhausted. If you run too slow, you never make it.
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The best of us must sometimes eat our words.
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When you have too much scheme, sometimes it's hard to work on all the things you have to, and you can make effort the top priority of your game.
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I have a dress-up chest at home. I love to create this fantasy kind of thing.
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It's not like I've ever been the popular pretty girl at school or anything. I was always such a weirdo.
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All great rebellions are born of private acts of civil disobedience that inspire rebel bands to plot together.
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We had times in '66 and '67 when we would pick up a platoon of privates out of the receiving barracks the week before we even graduated the platoon that we were on!
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When I wrote my eighth thriller, 'Inside Out,' in 2009, the villains were a group of CIA and other government officials who colluded to destroy a series of tapes depicting Americans torturing war-on-terror prisoners.
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My original name was Juaquin, and my cousin couldn't pronounce my name right. So he'd just be saying 'Waka! Waka!' So when I was younger, I used to always laugh, then my man Gucci gave me the rest of the name.
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The Arab representatives and their followers were not interested in the persecuted millions throughout the world; they were fixed on a political agenda that distracted the world from their own serious shortcomings in the human-rights department.
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When a guy tells me I'm cute, it's not something desirable. Cute is more like what you want your pet to be.
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Anyone can wear my dresses. They will look good on any figure, no matter what shape you are. I want to celebrate a woman's inner strength, to inspire real women and make them feel confident and beautiful.
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The only two things you can truly depend upon are gravity and greed.
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There are a lot of people who worked extremely hard in the election who are still organized who know how to do door to door and phone canvassing, who know how to raise money.
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But more than anything I kind of pride myself in continuing the process that we're trying to accomplish, and that's just to get better and work on my fundamentals. So that's been kind of in the theme now for a couple years and we stuck with it and that's kind of what I want to keep doing.
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The common thread in all my projects is 'girls being awesome.' Can we make that a genre?
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'Hill St.' was very good, but it was very impersonal work for me. I wrote about that place as if I was a visitor. It wasn't what my life was like. It was a great place to learn the craft of how to shape a scene, but I wanted a chance to write about more personal themes and obsessions.
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Ever since I was a child, I've always been fascinated with Sherlock Holmes.
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Boxing's in my genes. I come from a fighting background. My dad and both my uncles were good boxers. I'm blessed with the art of war.
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'Game of Thrones' fans are the nicest people ever, but a thousand nice people coming at me gives me claustrophobia.
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I don't want to prove to anyone or prove to myself. I'd rather just enjoy and show myself that I am capable of doing it and actually going through the process.
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You can't wait for someone to discover you; you have to just get on and do it. Have confidence that directing is a very suitable job for a woman - with our gift for collaboration, listening, and reading the nuance of things.
