Phyllis Smith Quotes
One day, I was taken into a room with 25 animators, all working on Sadness. They asked me a lot of questions, and they got something of the way I move into the character.
Quotes to Explore
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Yes, because when you're in love, you are shy.
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I see no reason to hide who I am or what I look like.
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I like to wear shoes that are cool but also practical. The same goes for bags. Your bag is a big deal in New York. You can't just carry around a little clutch, because you don't have a car or anywhere to stash things during the day, so you need to carry your whole life with you. That's why I like big, chunky bags with lots of compartments.
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Beginning with the No Child Left Behind law and continuing today with Race to the Top, the federal emphasis on standardized assessments has become so excessive that it has modified state and district behavior in troubling ways.
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I tour with a piano, actually. Luckily I am able to hire people that deal with it completely and magically a piano appears on stage and then magically disappears when I leave.
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It took me quite a long time to develop a voice, and now that I have it, I am not going to be silent.
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I'm a little angry in life.
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In so far as such a theory is empirically correct it will also tell us what empirical facts it should be possible to observe in a given set of circumstances.
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The transparency of a metaphor displays the glint of truth. But if a metaphor is taken for a reality, it then becomes dense and masks the truth it is meant to display.
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If you were to ask me to choose between democratic values and wealth, power, prosperity and fame, I will very easily and without any doubt choose democratic values.
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Being at school, being who I am, being an athlete, it was hard to find people like me. There's not many athletes that can be at my level. That was kind of hard finding people who love something so much they want to keep on doing it.
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Agitation is the atmosphere of the brains.
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I'm still learning my craft, and I've been writing since I was nine.
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I love hiking in the hills not far from my house. I'm invested in my hikes. Sometimes kids go up there and spray-paint over the signs; I've found a biodegradable paint cleaner, and I'll scrub the signs so they're nice and clean.
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Around 14, I was turned on to Shania, Reba, Merle Haggard, Garth Brooks, Trisha Yearwood... and I've followed it ever since.
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According to the perverse aesthetics of artistic guilty pleasure, certain books and movies are so bad - so crudely conceived, despicably motivated and atrociously executed - that they're actually rather good.
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Unending was the stream, unending the misery, unending the sorrow.
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I never look at how many songs I have or how many girls are there in a movie. If I like my character, I play it.
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A player has no use for an agent. None.
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It was a really, really fast but organic process.
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I think auditions are set up for failure because they're not really the set experience. There's no time to develop the character. You're just looking at someone... if someone's really good in an audition, sometimes they're not good in the film. It's something you learn when you're doing short films. It's the same way that some people do well at taking tests and some people don't. But when you're on a long-term filmmaking process it's a completely different feeling.
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I don't set the alarm to get up. I get up when I feel like it.
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One day, I was taken into a room with 25 animators, all working on Sadness. They asked me a lot of questions, and they got something of the way I move into the character.
