James McAvoy Quotes
I don't know why I get cast in a lot of period pieces. Stephen Fry told me that I had a face for period, that I look like someone from 1920.
Quotes to Explore
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Quitting law school was the most difficult decision of my life. But I felt this great relief that this is my life and I can do what I want with it.
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I am practically in the employ of Mr. Nobel. I have to meet everyone he sends my way.
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I sometimes read in a gossip column that I was at a party when I was in Europe at the time. It sometimes feels I've got a Doppelganger somewhere.
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Allowing homosexuality means allowing satanic rights.
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I had moved across the country, taken internships, networked, worked long hours, and called in favors to get there. And I had done it. I was working in Hollywood. So imagine the melancholy I found myself in when I realized that I didn't love casting the way that I always thought I would.
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If I'm offered a good case in Florida or a good case somewhere else, South Florida will win every time.
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No one rises so high as he who knows not whither he is going.
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Every time a blast happens, people ask, 'But why would someone do this?' Weirdly, it hasn't been answered well anywhere - neither in fiction nor non-fiction.
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The people, and the people alone, are the motive force in the making of world history.
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Eighteenth-century matrons would have never have dreamed of appointing a redhaired wet nurse for their precious offspring - redheads passed on their horrible characters through their milk.
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I consider myself somewhat spiritual, but not practicing.
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My brother and I had many games. We were inseparable. We had a little team going on between us. We had even a language that was kind of like pig latin. So we'd speak in the language. It's called Op.
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An old building is like a show. You smell the soul of a building. And the building tells you how to redo it.
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I was a dancer of no repute. But dance taught me a lot. You walk into a dance studio knowing you have to walk out with a dance. You improvise.
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A novel is a great act of passion and intellect, carpentry and largess. From the very beginning, I wrote to explain my own life to myself, and I invited readers who chose to make the journey with me to join me on the high wire.
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While day by day the overzealous student stores up facts for future use, he who has learned to trust nature finds need for ever fewer external directions. He will discard formula after formula, until he reaches the conclusion: Let nature take its course.
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Madonna is a creation, so perhaps we should give her and the factory that created her a little credit, but I think that she should quietly disappear now. Poor Madge seems unable to decide whether she wants to look like Marilyn Monroe or Marlene Dietrich.
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There's nothing as exciting as a comeback - seeing someone with dreams, watching them fail, and then getting a second chance.
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I write a book a year while creating TV and film projects. And being a writer isn't just writing: I have to chase down paychecks and manage foreign tax payments. I maintain a vibrant relationship with readers and bloggers. And when it comes to Hollywood, I typically have to have fifteen business meetings in the hopes that one leads to a project.
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I've always believed that clothing is a great way to tell your story.
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Trends, like horses, are easier to ride in the direction they are going.
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If you turn a blind eye to fare evasion, if you accustom people to getting away with minor crime, you are making it more likely that they will go on to commit more serious crimes. That is why we have so much disorder in London. It is a disgrace.
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A hero looks death in the face, real death, not just the image of death. Behaving honourably in a crisis doesn't mean being able to act the part of a hero well, as in the theatre, it means being able to look death itself in the eye. For an actor may play lots of different roles, but at the end of it all he himself, the human being, is the one who has to die.
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I don't know why I get cast in a lot of period pieces. Stephen Fry told me that I had a face for period, that I look like someone from 1920.
