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Filmmaking is a miracle of collaboration.
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I'd like to keep work work and life life. It means you've got your life to come back to, somewhere to come home to at night that isn't invaded by your day.
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I like cooking, but I don't think I could be a chef. Everyone from the ground up does terrible hours, whether you've just walked in off the street and you've got no experience, to whether you're the head chef. You can work 14 or 15-hour days. It's really, really intense.
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I think my recognizability ebbs and flows. I don't lead a particularly celebrity lifestyle or anything like that. I don't go to showbiz parties or red-carpet events, so it all depends on whether I've got a film out. I've not been very visible in the last year or so and as a result hardly anyone stops me in the street.
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I really liked 'Starter For Ten' because I grew up watching 1980s teen films like 'St. Elmo's Fire' and 'The Breakfast Club' and I've always wanted to play the underdog lead hero in a 1980s-inspired film.
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If you don't have the good fortune to work a lot then you take any job you get offered, whether it's a good job, fun job, a bad job, horrible job, whatever, you just take what you need to take. But I'm lucky in that - at the moment anyway and hopefully forever, but who knows - I get the chance to pick jobs for the kick of it and the fun.
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Next year, if no one gives me any work, that's fine. I'm not going to do well anyway. I'm not an actor, I'm just exploiting this industry.
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I always believed that I never wanted to be an actor. I only did it because I was allowed to do it and I had to do something.
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I actually went to drama school at the Royal Scottish Academy of Music & Drama in Glasgow, so I stayed in my home town the whole time. However, I see more of my friends now than I did then. It's strange.
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I'd like to have stayed in the Scouts beyond the age of 12.
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Fear is really powerful; it's really useful to me.
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I've spent a long time giving people the benefit of the doubt, and I'm tired of it.
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I don't know why we're not interested in seeing good people. I think we like seeing good people, but only if bad things happen to them. Which is weird, isn't it?
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I don't want to be all worthy about it, but I don't do red carpets, I don't do events and I don't accept freebies that much.
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Girls didn't really take much interest in me until I was about 14. But I knew how to talk to them very quickly. What I figured out - that my friends didn't - was you have to talk to women like you're not constantly trying to have sex with them. That seemed to work.
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I like playing a variety of characters. I feel like I've been able to play different kinds of characters - I've done a lot of period pieces - but I've never had to play the same type of character too much.
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I like reading about the past. I'm definitely not a history buff, but I do read a bit of history now and again, and to do that for work is really exciting.
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I'm 5 foot 7, and I've got pasty white skin. I don't think I'm ugly, don't get me wrong, but I'm not your classic lead man, Brad Pitt guy.
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Until I'm on the set of a film, to me it's still not for real.
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I generally get challenged; I haven't been typecast, which is really, really, nice. It's not something that every actor gets, really. It's luxury. Most actors are capable of it, but they aren't afforded the opportunity to express their variety.
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I kind of embarked on a fruitless search to find information about my character, Frederick Aiken. And it was fruitless, unfortunately, because there's so little about him.
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I don't mind playing somebody who's not likable, or makes the audience feel slightly conflicted.
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'St. Elmo's Fire' is one of my favorite films. I like the storytelling of those teenage American films. You don't get that now. Teenage American movies are all about sick jokes, puking a lot, arse jokes.
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My favorite name of a fandom is Benedict Cumberbatch's - 'the Cumberbatches' is just the best name.