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I've done enough for a while and people get fed up of seeing you, but apart from that, although I'm young, I need a bit of rest. You could say I have become a house husband. It's not a new man thing, it's just largely a boring man who doesn't mind staying in the house thing.
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When I was 15 or 16 - I slept really well then. Now I sleep on a bed of anxiety-tipped nails.
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'St. Elmo's Fire' is one of my favorite films. I like the storytelling of those teenage American films. You don't get that now. Teenage American movies are all about sick jokes, puking a lot, arse jokes.
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Marriage is an ongoing thing, man. You continue to work at it. But it's joyful. And joyous. I don't care if people are living without a marriage certificate. It's just about people, in some way, saying to each other, 'I commit to you. I will help you in this life.'
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I also really liked playing Mr. Tumnus in 'Narnia'. I got to play my favorite character in children's literature, which I loved. You don't get the chance to do that in other jobs.
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I kind of embarked on a fruitless search to find information about my character, Frederick Aiken. And it was fruitless, unfortunately, because there's so little about him.
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I've cried a lot because of women. I cry a lot, as a person.
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I judge people very quickly.
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I want to be like Matt Damon and do a hugely successful thinking-man's action franchise like 'Bourne.'
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The funny thing is, I've never really hurt myself in an action movie. I've done 'Wanted,' 'X-Men,' 'Welcome To The Punch,' even 'Trance' to a certain extent has little bits of action and stuff, but I've never really hurt myself at all - not even like a sprained ankle.
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Shakespeare's stories are still very strong. He structured fantastic stories about things that were fundamental to the human being and psyche.
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Basically, every character I've ever played, I've based entirely on internal conflict. And I love doing that, because I think it's very human.
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The minute you start to strategize too much, the more you start to think you're in control of your own fate. And you're not, really.
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As an actor sometimes you can be a bit emotional and forceful, and that's not always the way to be.
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I've seen beautiful actresses get spat at or just someone trying to get a rise out of them so they can get an extra hundred bucks for a photo. It's really rough.
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I decided to give up the idea of being a priest before I decided I wanted to be an actor. I considered it for a couple of weeks, really. I'm a young Catholic, do you know what I mean. You're going to consider it.
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There's something about Michael J. Fox that I loved when he did all the '80s stuff. His way of performing all the physicality, which is why it's so tragic now, but the way he used his body so much as well, I loved.
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People come up to me and they're usually nice, but as it goes on you realise that some people aren't nice. Some people are not nice at all.
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Every time I do a movie, especially an animated movie, I just seem to scream and shout and hyperventilate for money.
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I've played a lot of very posh, sort of noble or aristocratic English people, which is nothing like what I am, so I feel that there is quite a lot distance there and have played a little bit far away from myself.
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I don't think I'm ever going to get to the point where people run across a freeway to take a picture of me. I really don't see it getting to that level of hysteria unless I have an affair with the Queen of Sweden or something like that.
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At the heart of every really good Christmas movie is the threat, I suppose, to Christmas. Something is wrong with Christmas, in all of these movies. In 'The Polar Express,' there's a kid that doesn't really believe, and that's the threat to Christmas. In 'Santa Claus: The Movie,' jealousy and greed are threatening to overrun his Christmas.
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One of the weird things about Hollywood is we're all imposters; we're all just glammed up.
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I'm probably more dangerous in a car than I am on a motorbike; on a bike I'm very mindful of the fact that if you make a mistake, you're dead.