Pico Iyer Quotes
In the two-room flat where I live in Japan, I try to take time every day to step away from the bombardment of e-mails and opportunities and papers around my desk, for an hour, and just sit on our 30-inch terrace in the sun, reading something sustaining, whether 'The Age of Innocence' or the latest by Colm Toibin.
Quotes to Explore
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I know that there are going to be people that don't like my music, but I think in the industry itself it is always that, 'Oh. you're from the 'X Factor.' There have been certain radio stations that will not play your song because you are from the 'X Factor,' yet they'll play another song from an artist from another TV show.
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It's quite rare that you find models taken care of backstage.
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Follow me around. I don't care. If anybody wants to put a tail on me, go ahead. They'd be very bored.
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If I'm trying to rebound after a bad hole, I just go back to tempo and process and rhythm, and I cling to my routine.
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We don't think that we are in a quarrel with anybody. We may have a difference of opinion, but we'll not allow such differences of opinion to grow into a problem that stands in the way of reconstructing the country and regaining the democratic path.
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If you're conservative in Hollywood, you're on a list of people who need to be put in their place.
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I really like Los Angeles - I had a good life out there. But the reason I choose to live in New York is because when I'm between engagements, as they say, something creative always comes up for me, like 'Julian Po,' or helping teach at NYU, or helping stage a show at Juilliard.
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I think the process is one of using the camera and sound in the way a detective uses a magnifying glass: to find the clues. They're discovery devices, not performance devices - you're watching things the way a cat does. You're not judging. You're there to witness something.
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I'm thought to be a tough writer, but I'm really a softie.
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Rather than waiting to restore fiscal responsibility after we pass legislation, we must work to ensure we remain committed to it as we draft legislation.
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Like any small business owner, I experienced the pressures of building a company from the ground up - developing a business plan, balancing the books, meeting payroll and building a customer base.
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Maybe our generation is more about sex, but it feels like romance is dying out.
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I started out doing musicals.
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If someone had told me in high school that one day I'd write an historical novel, I would have rolled my eyes.
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Whenever you do an animated project or a voice-over project it's inevitable that part of your personality comes into play.
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I had a long conversation with Steve Carlton. He told me that on the days he pitched, he felt it was his responsibility to make everyone around him better, to lift his teammates. That's what I try to do.
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I tend not to have any references to anything. I just jump into the script in front of me. If you reference too much, you have no idea if the performances are right.
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Life experience is not something to be denied, but to be celebrated.
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At night I can write for hours.
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Unlike the objective of far too many companies, manufacturing is not about a quick 'exit.' It is centered on long-term value creation.
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On stage, you're not limited at all because you're free in language: language is the source of the imagination. You can travel farther in language than you can in any film.
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Not only did I get an A in music but I got an A in ladies.
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I have learned a lot from jazz. I compare good acting to jazz music. The more you study and prepare as an actor, the more equipped you are to live in the moment. Just like the gifted musicians in my dad's quartet, it takes a courageous actor to be free.
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In the two-room flat where I live in Japan, I try to take time every day to step away from the bombardment of e-mails and opportunities and papers around my desk, for an hour, and just sit on our 30-inch terrace in the sun, reading something sustaining, whether 'The Age of Innocence' or the latest by Colm Toibin.
