James Nesbitt Quotes
You can get a bit world-weary in this job, and 'The Passion' reminded me of what a fantastic job acting is and how lucky I am to be doing it.

Quotes to Explore
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I never cared about modeling. As a model, you're powerless.
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We were both in love with him. I fell out of love with him, but he didn't.
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You have no power at all if you do not exercise constant power.
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The degree that these scenes went to... there was a couple of days I was upset... I'd have to hurry back to the girls in the makeup trailer and have a bit of a cry because it messes with your head.
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I don't spend a lot on holidays, but have been very fortunate to travel extensively through doing various challenges around the world. The best place I've ever been is Argentina.
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I like to stand right in front of my opponent. I think it makes for an exciting fight.
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I think is very beneficial to relax yourself so that when you are doing it you are not staggering for lines and your concentration is not on what I am going to say - but the scene itself, the character that you are talking to.
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I like being unconventional.
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I've written a screenplay that is a series of monologues and songs; they form this sort of human tapestry across time and place. The form is strange, but I find it really fascinating.
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I decide my future. I decide what I want to do. Nobody else. If I decide this will be my last year, maybe it is. If I decide it will be my last contract, I decide that. Nobody else. So I will decide when the moment is there.
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Poetry is that sentiment of the soul, or faculty of the mind, which enables its possessor to appreciate and realize the heights and depths of human experience. It is the power to feel pleasure or suffer pain in all its exquisiteness and intensity.
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Almost every Monday I have a charity thing. I like that. I do.
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We live in a world where people think that finding a passion is so rare that if you find one you're the luckiest person on the planet, and the possibility of finding two is just bizarre. It isn't. We have multiple passions.
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I believe in looking reality straight in the eye and denying it.
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We must realise that man's nature will remain the same so long as he remains man; that civilisation is but a slight coverlet beneath which the dominant beast sleeps lightly and ever ready to awake. To preserve civilisation, we must deal scientifically with the brute element, using only genuine biological principles.
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Like all of Latin America, Mexico after independence in 1821 turned its back on a triple heritage: on the Spanish heritage, because we were newly liberated colonies, and on our Indian and black heritages, because we considered them backward and barbaric. We looked towards France, England and the U.S., to become progressive democratic republics.
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I've actually had a copilot come out of the cockpit on a trip from L.A. to New York and ask me about Charles Manson.
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I have got nothing against family companies, but there must be real equity, that is all I say. It cannot be based on influence or political friendships. It has to be based on real equity backing their dreams.
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The trouble of the king becomes the trouble of the subject, for how shall we live if judgement is withheld, or if faulty decisions are promulgated?
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I want my fiction to seem real.
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A 10-year-old knows a lot. If you think she or he isn't noticing the world around them, you're missing a lot.
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Since World War II, inflation - the apparently inexorable rise in the prices of goods and services - has been the bane of central bankers.
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You can get a bit world-weary in this job, and 'The Passion' reminded me of what a fantastic job acting is and how lucky I am to be doing it.