James Nesbitt Quotes
You can get a bit world-weary in this job, and 'The Passion' reminded me of what a fantastic job acting is and how lucky I am to be doing it.
Quotes to Explore
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I never cared about modeling. As a model, you're powerless.
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We were both in love with him. I fell out of love with him, but he didn't.
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You have no power at all if you do not exercise constant power.
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The degree that these scenes went to... there was a couple of days I was upset... I'd have to hurry back to the girls in the makeup trailer and have a bit of a cry because it messes with your head.
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I don't spend a lot on holidays, but have been very fortunate to travel extensively through doing various challenges around the world. The best place I've ever been is Argentina.
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I like to stand right in front of my opponent. I think it makes for an exciting fight.
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I think is very beneficial to relax yourself so that when you are doing it you are not staggering for lines and your concentration is not on what I am going to say - but the scene itself, the character that you are talking to.
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I like being unconventional.
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I've written a screenplay that is a series of monologues and songs; they form this sort of human tapestry across time and place. The form is strange, but I find it really fascinating.
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I decide my future. I decide what I want to do. Nobody else. If I decide this will be my last year, maybe it is. If I decide it will be my last contract, I decide that. Nobody else. So I will decide when the moment is there.
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With any kind of mean girl, or anyone who bullies anyone, there's always a reason for it. There is that sadness in them or insecurity that makes them feel like they need to act out or hurt other people.
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Poetry is that sentiment of the soul, or faculty of the mind, which enables its possessor to appreciate and realize the heights and depths of human experience. It is the power to feel pleasure or suffer pain in all its exquisiteness and intensity.
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Almost every Monday I have a charity thing. I like that. I do.
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Shakespeare lets us see real people undergoing real processes, with real feelings.
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We live in a world where people think that finding a passion is so rare that if you find one you're the luckiest person on the planet, and the possibility of finding two is just bizarre. It isn't. We have multiple passions.
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I believe in looking reality straight in the eye and denying it.
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This adoration of an artist as a lone genius is quite misled, I think, because they are very much part of their time and their community.
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We must realise that man's nature will remain the same so long as he remains man; that civilisation is but a slight coverlet beneath which the dominant beast sleeps lightly and ever ready to awake. To preserve civilisation, we must deal scientifically with the brute element, using only genuine biological principles.
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The most special Slam is Wimbledon, of course. But where I feel the best is Melbourne. And you're happy that you're playing. When you get to the middle of the season, everything is week after week, and it's all routine. But when it's Melbourne in January, you are fresh and you want to play. It's nice.
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I remember when I did my Enron film, my executive producers at the time felt very strongly that I should mock the Enron executives more viciously because everybody wanted that moment.
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The course of the United States in World War II, I said, was dishonest, dishonorable, and ignominious, and the Sunpapers, by supporting Roosevelt's foreign policy, shared in this disgrace.
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Taking a risk is always frightening, but I gave myself a set period of time and had enough money to see me through. I operated from the belief that things would be okay, that if I wasn't successful I would find myself a job, but either way, I would be fine.
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You can get a bit world-weary in this job, and 'The Passion' reminded me of what a fantastic job acting is and how lucky I am to be doing it.
