James Nicoll Quotes
Quotes to Explore
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The psychology of women hitherto actually represents a deposit of the desires and disappointments of men.
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Are there differences between black actors' opportunities and white actors' opportunities? Yes, there are. It's been said.
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I don't ever remember a single day of hopelessness. I knew from the history of the labor movement, especially of the black people, that it was an undertaking of great trial. That, live or die, I had to stick with it, and we had to win.
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But I'm not objective when I'm acting.
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I'm going to get hated for saying this, but honestly, fantasy is easy to write because you can do anything. It's like when Raymond Chandler brings in a bloke with a gun when he's stuck - in fantasy, up pops a wizard, and off we go.
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The more I talk about things, the more I understand myself.
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I love 'Husbands and Wives,' Woody Allen's movie. It's like one of my all-time favorites. I could watch it over and over again.
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Team members have to hold each other accountable. If there's a meeting, all members have to commit to be present and to help one another; they can't just check out when they feel they're not getting any benefits.
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World War II was a decisive time in our history and June 6, 1944, marked the decisive moment of the war.
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When you've heard one bagpipe tune, you've heard them both.
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I chose the most explosive dress I could find. I put a ton of makeup on and some great round earrings. I looked like Jennifer Jones in Duel in the Sun.
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I know, as an actor, you have to negotiate, but I can't handle the whole idea that art and commerce are synonymous. It drives me nuts.
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Do you honestly think that if Senator Santorum becomes president, we're going to get rid of contraceptives?
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Ultimately, literature is nothing but carpentry. With both you are working with reality, a material just as hard as wood.
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What's the most important thing in the world? It's love, and I look at that as an energy, not a sentiment.
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The father of a daughter is nothing but a high-class hostage. A father turns a stony face to his sons, berates them, shakes his antlers, paws the ground, snorts, runs them off into the underbrush, but when his daughter puts her arm over his shoulder and says, 'Daddy, I need to ask you something,' he is a pat of butter in a hot frying pan.
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An artist or a creative person of any kind goes about their work because it's their path, it's what excites them, it's what aligns their soul with who they truly are, who they showed up to be.
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There's no social realism in 'Tyrannosaur.' It's not about the social landscape or the political landscape or any of that. It's just about human beings. I never made 'Tyrannosaur' in reference to anybody - I just made it because I had to make my own films.
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Misanthropy is born, I think, out of an almost oppressive sense of loneliness, a conviction that there's no one on earth who understands you. I don't think misanthropes hate people: They hate that people hate them.
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I want to - we're working toward Justice League, and I really want to create the - part of the thing I really want to create is the possibility of a world where they could exist together.
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Let us together create the new building of the future, which will be everything in one form: architecture and sculpture and painting.
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I just find the people I want to work with and put it all together, and it's a lot of hard work, and all kinds of catastrophes happen, but I don't really get too much resistance. But when you make a movie, it seems like there's nothing but resistance. It's kind of a miracle that any movie ever gets made.
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We are so bound together that no man can labor for himself alone. Each blow he strikes in his own behalf helps to mold the universe.
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After enough concussions the head injuries blur together.
