Masashi Kishimoto Quotes
...Every single one of us goes through life depending on and bound by our individual knowledge and awareness. And we call it reality. However, both knowledge and awareness are equivocal. One's reality might be another's illusion. We all live inside our own fantasies, don't you think?
Quotes to Explore
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I feel like you are doing better for the world if you're honoring you because everything is getting the authentic you.
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I wanted to be a bull rider when I grew up.
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The incestuous relationship between government and big business thrives in the dark.
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A dinosaur out of context is like a character without a story. Worse than that, the character suffers from amnesia.
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The bad boy: always more fun.
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Sometimes his methods are questionable, and even his morals are questionable, but his intention is always to protect Sydney. So in that way I think he's a good parent.
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SF isn't a genre; SF is the matrix in which genres are embedded, and because the SF field is never going in any one direction at any one time, there is hardly a way to cut it off.
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Rey's parents left her at 5, and we meet her when she's late teens or early 20s, and for someone to keep hopeful that there's a better life to come, I think, is astounding. Though she starts off alone, she very much finds her place in a group of people, and that's lovely.
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And is there care in Heaven? And is there love In heavenly spirits to these Creatures bace?
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Religion is against women's rights and women's freedom. In all societies women are oppressed by all religions.
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He is energetic only in evading responsibility.
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Don't do drugs.
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I punched out Kathleen Hanna... Sonic Youth brought her. I punched her, and she screamed, 'I'll take you on, any college in America, any feminist debate,' and I said, 'But Kathleen, that means you're going to have to read!'
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I think New Order have got their own sound. But what we like to do is experiment, using dance music and other things.
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An interesting thing about New Zealand, you know, literature is that it really didn't begin in any real sense until the 20th century.
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You do a film for a short time period - you put it all out there and move on.
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The story is supposed to change; it's supposed to evolve. In making 'Cartel Land,' I ended up with a much, much different story than I started with.
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Anything you can do to help someone, I just think it's so important because there's a lot of kids that look up athletes of all size and shapes in a lot of different fields, not necessarily in the basketball field. They get involved emotionally with those people because there's something about certain athletes that people rally around.
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I'm definitely very interested in doing female narrators that aren't typically feminine or emotional or soft - especially teenage girls - because I have such a hard time relating to so many of them that I read. They feel psychologically cuter to me than I ever was.
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When I'm doing the brute work, I do it early in the morning; that's the best time for me to get the stuff down on the page.
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You never know when your last day gig is, and if you spend your life thinking about it, you'll drive yourself nuts. But I try not to foster or exhibit any desperation.
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The CGI landscape is another world. It has its own physical laws; it can defy gravity. But surely the wonder of cinematic space is that it is wedded to reality?
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Put out? My dear Gertrud, I have been thinking of very serious things. You cannot expect me to frolic along paths of thought that lead to mighty and unpleasant truths. Why should I always smile? I am not a Cheshire cat.
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...Every single one of us goes through life depending on and bound by our individual knowledge and awareness. And we call it reality. However, both knowledge and awareness are equivocal. One's reality might be another's illusion. We all live inside our own fantasies, don't you think?
