Jessica Szohr Quotes
Quotes to Explore
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I want to do roles that take women a step farther. I don't want to be slotted into anything. But if I get a brilliant role which requires me to be a mother, then I will do it. But I want people to see that a woman could be anything at whatever age, even if she is married or has two kids.
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Nashville is one of the greatest places for the best songwriters in the world. It's been fantastic to live there and to raise our family there. It's a great town.
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Personality is an unbroken series of successful gestures.
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Different directors have different things, so when I left Mike Leigh, as it were, and I went into other projects after 'All or Nothing,' it took some getting used to - what do you mean there's a script?!?' That kind of thing.
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I don't think that I ever believed that poetry would be a career. I have always thought of poems as something more private than professional... I would never introduce myself as a poet. I will always have some other thing that I am.
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You have to be willing to ask questions that almost no one else would ask.
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I am blessed to have worked in big-budget films at an early stage of my career.
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I'm very physical. I love to work out; I'm very athletic. It's a great therapy, not only for my body, but for my mind.
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Everything was in stark and dreadful contrast with the trivial crises and counterfeit emotions of Hollywood, and I returned to England deeply moved and emotionally worn out.
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Every once in a while, something happens to you that makes you realise that the human race is not quite as bad as it so often seems to be.
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When I had my television show, 'Barbara Mandrell and the Mandrell Sisters,' it was my high hope to convert people to country music. It is wonderful and contagious!
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Southern Appalachians have been ridiculed since the country began. In fiction, they're usually depicted in a cartoonish manner. The region is poor, and very suspicious of outsiders, so there's a sort of 'us versus them' situation. They're easy to poke fun at.
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You know, there's always someone in mind when I'm writing. You know, it's all comes from somewhere inside.
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As an actor, you don't want to play a one-dimensional character.
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I'm going to show the difference between the champ and second place.
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I have made an art form of the interview. The French are the best interviewers, despite their addiction to the triad, like all Cartesians.
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My wife attends a Presbyterian church.
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Our culture is at its best when we protect and encourage the weakest. Every life - at every stage, in every place - has a dignity beyond our imagining.
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Filipinos are not worse than any other colonized people except that our colonization was a little longer, and the independence movement was always dictated in political terms, never in social ones. We borrowed terms, but we didn't understand them.
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At what point then is the approach of danger to be expected? I answer, if it ever reach us, it must spring up amongst us. It cannot come from abroad. If destruction be our lot, we must ourselves be its author and finisher. As a nation of freemen, we must live through all time, or die by suicide.
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Like the wind crying endlessly through the universe, Time carries away the names and the deeds of conquerors and commoners alike. And all that we are, all that remains, is in the memories of those who cared we came this way for a brief moment.
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These 'Supernatural' conventions are such a great time. The fan base is like none other, and I'm sure I'll never experience a fan base that support is the same with - their kind of unbridled decency towards the actors makes me not have to worry about going into the crowd.
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Thus the public use of reason and freedom is nothing but a dessert, a sumptuous dessert.
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You do a film for a short time period - you put it all out there and move on.
