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I'm not a really firm believer in theatre that is 'about anything.' I don't think theatre can be about anything other than the people who show up and the value that they hold.
Branden Jacobs-Jenkins -
One of the most incredible and important things about the theater is that we're creating a safe space for all feelings, but especially, ugly feelings.
Branden Jacobs-Jenkins
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I was 23 when I wrote 'Neighbors,' and I definitely look back at it now and cringe a little bit. I was trying to understand what drama was.
Branden Jacobs-Jenkins -
I wrestle in a big way with August Wilson's work in that I at times admire it and at times feel infuriated by it, which is weirdly more influential than loving someone entirely.
Branden Jacobs-Jenkins -
You get better at the thing you do by having to explain it to someone else. That, I think, totally makes my work stronger.
Branden Jacobs-Jenkins -
Family dramas are tough, as a playwright. Most stories are about characters going on a trip or a new character coming to town, because that's how you learn information about them. But with family, they all know each other already. There's years of history in every interaction.
Branden Jacobs-Jenkins -
I go through phases of watching a ton of dance/performance, and I am bizarrely well-informed on the subject.
Branden Jacobs-Jenkins