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It's rare that you get to be a part of something that, hopefully, has some significance socially or historically.
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There's a security, a validity of knowing that it's legal. It's hard to put into words. It's just a feeling, I guess - something about saying vows in front of the people around you who love and support you.
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There's a level of love that really dissolves a lot of egotism and self-absorption.
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I feel very, very thankful to have the family that I do.
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I'm completely happy and fulfilled in my personal life.
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I was cold-calling agents when I was, like, 9 years old, and I was like, 'Mom, I need this thing called a headshot.'
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I have, like, three suits to my name. But one thing I've learned is that when you dress up in real life, people treat you differently.
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Well, when you're playing a role, you have to think, 'What is ultimately motivating the character?'
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I like endings that let your imagination do a lot of the work.
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I've been handling guns since I was a kid.
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One of the things about the con artist lifestyle is that all the romance is sort of sloppy and fast and loose.
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When we were filming the first 'Magic Mike,' we obviously had a limited budget; it was an independent film. And we would entertain extras in between takes.
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I tend toward more adult fare, and I would love to do a voice in an animated film or something the boys could go see, but at a certain point, I made peace with myself about it.
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Just being attached to 'Superman' actually gave a great boost to my career.
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I consider 'White Collar' my home base. I'm so lucky to get to play a character that's very multifaceted and the writers take risks on and never get into a staid process with.
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I remember taking my brother's car out, pushing it down the driveway in neutral in the night, and going out joyriding with friends and getting flat tires and getting busted. My license was revoked by my dad. So, definitely, I was a kid. I was a teenage boy.