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You're really lucky as an artist if you get a role that changes you as a person.
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When it's a really dark emotional scene, you have to make the effort to shake it off, at the end of the day, before you go home to your kids and try to be a normal human being. You definitely want to make that effort to shake it off.
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There's a level of love that really dissolves a lot of egotism and self-absorption.
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I have, like, three suits to my name. But one thing I've learned is that when you dress up in real life, people treat you differently.
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Well, when you're playing a role, you have to think, 'What is ultimately motivating the character?'
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I tend toward more adult fare, and I would love to do a voice in an animated film or something the boys could go see, but at a certain point, I made peace with myself about it.
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One of the things about the con artist lifestyle is that all the romance is sort of sloppy and fast and loose.
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I'm completely happy and fulfilled in my personal life.
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I feel very, very thankful to have the family that I do.
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I was cold-calling agents when I was, like, 9 years old, and I was like, 'Mom, I need this thing called a headshot.'
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I like endings that let your imagination do a lot of the work.
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I've been handling guns since I was a kid.
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When we were filming the first 'Magic Mike,' we obviously had a limited budget; it was an independent film. And we would entertain extras in between takes.
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I consider 'White Collar' my home base. I'm so lucky to get to play a character that's very multifaceted and the writers take risks on and never get into a staid process with.
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I remember taking my brother's car out, pushing it down the driveway in neutral in the night, and going out joyriding with friends and getting flat tires and getting busted. My license was revoked by my dad. So, definitely, I was a kid. I was a teenage boy.
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Just being attached to 'Superman' actually gave a great boost to my career.