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We all have a great deal of admirable qualities, and we all have some that could probably be improved upon.
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I have, like, three suits to my name. But one thing I've learned is that when you dress up in real life, people treat you differently.
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Look, none of the artists who I admire or respect have ever shied away from a role because it might make them unpopular with somebody.
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There's a security, a validity of knowing that it's legal. It's hard to put into words. It's just a feeling, I guess - something about saying vows in front of the people around you who love and support you.
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I like endings that let your imagination do a lot of the work.
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I'm completely happy and fulfilled in my personal life.
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I feel very, very thankful to have the family that I do.
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I tend toward more adult fare, and I would love to do a voice in an animated film or something the boys could go see, but at a certain point, I made peace with myself about it.
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Well, when you're playing a role, you have to think, 'What is ultimately motivating the character?'
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When we were filming the first 'Magic Mike,' we obviously had a limited budget; it was an independent film. And we would entertain extras in between takes.
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One of the things about the con artist lifestyle is that all the romance is sort of sloppy and fast and loose.
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I was cold-calling agents when I was, like, 9 years old, and I was like, 'Mom, I need this thing called a headshot.'
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Just being attached to 'Superman' actually gave a great boost to my career.
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I consider 'White Collar' my home base. I'm so lucky to get to play a character that's very multifaceted and the writers take risks on and never get into a staid process with.
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I've been handling guns since I was a kid.
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I remember taking my brother's car out, pushing it down the driveway in neutral in the night, and going out joyriding with friends and getting flat tires and getting busted. My license was revoked by my dad. So, definitely, I was a kid. I was a teenage boy.