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In politics there are so many holes, so many contradictions, you don't know what's happening.
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I think the reason I've survived that long is because I've taken my work so seriously. Maybe sometimes too seriously, but it's always been important for me to do my best regardless of the film. I think the biggest compliment I get is when people on the street stop me and say they've liked the choices I've made.
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One of my greatest fears is not being able to change, to be caught in a never-ending cycle of sameness. Growth is so important.
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Sunsets are great. Sunrises are a mixed bag. You either got up way too early or went to bed way too late.
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To be honest with you, there's nothing that bores me more than sitting around with a bunch of actors talking shop. I love actors and I've got friends that are actors. They're interesting people. But for some reason, usually when it comes round to talking shop, there's a part of me that doesn't like it.
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These are people who haven't gone through the legal means to becoming citizens like our forefathers did. They want all the benefits but none of the responsibilities.
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The great, rewarding thing about directing is that you're overseeing the whole thing. When you're an actor, you're just one department.
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I've always liked Southeast Asia a lot. It's a wonderful place, an easy place. People are great, there's a lot of history and culture, and I like the serenity of Buddhism there. It's very beautiful. I find that to be a very nice place to visit.
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The worst thing I could be accused of is that I'm a one-way dude, only out for myself. But the worst thing a woman can do is not to say anything. Especially when you're starting a relationship.
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I don't fall in love easily. It's odd; one of the first things I think about when I go out with a woman is what it would be like to be married to her. And yet I have a tough time committing.
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My driving, I've been accused of not being the best, most safest driver.
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Love is messy. It's not something that's real clean.
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Directing myself definitely made me a better actor. And, you know, I think actors have the best track record when they turn to directing. Writers, too. I knew how to direct actors because I've been there and I know what I like.
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I don't hide out. If you build a wall around yourself, it draws people to invade it. Fear is the enemy.
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I'm not the greatest boyfriend, but I'm not a creep. It's more like I'm... absent-minded.
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I don't know why, but I like the saxophone.
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I think playing somebody who's schizophrenic is such a lesson as an actor. It gets you totally out of your comfort zone, because you can't rely on your technique, your external stuff. You've really gotta look inward, in a way.
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I know this sounds kind of crazy, but I think we're all actors.
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I think a lot of directors, they come out of film school, they don't know anything about acting. Or they're writers that don't know anything about the process. And I think they're afraid sometimes to talk to actors and be honest with actors.
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I like to do comedy, but I'll be perfectly honest, I prefer to do drama and more character-driven-based stuff, generally.