Matt Groening Quotes
Well, most grown-ups forget what it was like to be a kid. I vowed that I would never forget.
Quotes to Explore
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We wrote 'Olive Kitteridge' as six hours, and they asked us to make it in four.
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One and one is two, and two and two is four, and five will get you ten if you know how to work it.
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The Broadway audiences are very vocal and seem very engaged. For certain shows, especially with a show like 'The Heiress,' the audience's reactions sound like 'The Jerry Springer Show' sometimes. That seems to be a very New York thing. Oh, there's also the entrance round of applause here, which we don't get too much in London.
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I deliberately try not to cater for the commercial market, so I can't see myself in competition, you know, with second or third generation rock stars.
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China may censor YouTube. China may censor Twitter. They won't be able to censor Bitcoin. There's no central authority. There's no one you can go to and say, 'We're going to turn Bitcoin off.'
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I have found, writing a blog, that being non-opaque is necessary. You pretty much have to say what you know in much more firm terms or risk that the legions who always know more than you do will tell the story better.
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I did Polyester, and I don't regret one minute of it. It was wonderful.
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Governing a great nation is like cooking a small fish - too much handling will spoil it.
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I work hard and I play hard, too. There is nothing wrong with that.
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Cricket pays well, so a lot of people are naturally drawn towards the game. But to carve a niche in non-cricket sports is not easy. So state governments need to be proactive. Indians need to be made aware of the power of an Olympic medal. It should be treated at par with an Oscars or a Nobel Prize.
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I started by just sitting by the chessboard exploring things. I didn't even have books at first, and I just played by myself. I learnt a lot from that, and I feel that it is a big reason why I now have a good intuitive understanding of chess.
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I don't appeal to everyone well. I appeal to fewer people in a much stronger way. That's what fandom is to me, and what creates fans for everything I make.
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Listen, if you don't talk big game, you never get anywhere. If you don't think big, you don't get big. Some people call it egotistical, some people call it high hopes, some people call it confidence. It's all in how you want to dissect it.
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The climate in the '50s and '60s for black performers or black people in the entertainment business was atrocious. It was atrocious.
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The thing about Parsons compared to the other schools is that it really teaches you how to be a designer, whereas some of the other schools teach you to sketch or teach you the technical skills. But the curriculum at Parsons when I was there was how do you put a collection together, as well as all the technical stuff. It's the best training.
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In Australia, getting an audition can be a rarity. There just aren't as many opportunities.
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Attempting to be a people pleaser is a fruitless task so, fuck it.
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My objection to metre is that it enables people to write verse with no poetic inspiration.
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He lay in the dark thinking of all the things he did not know about his father and he realised that the father he knew was all the father he would ever know.
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I like to keep up with London theatre, but it is a question of time.
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The minute that you make the discussion in the room more well-rounded, multicultural, and of course having differences in gender, you're going to have a different approach.
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A large part of the reason I want to be so mysterious is so that I can move on and do something serious at some point in my career X years from now. It might be very difficult otherwise, because I'm... wild.
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Well, most grown-ups forget what it was like to be a kid. I vowed that I would never forget.
