Pedro Almodovar Quotes
Whenever I arrive on a real location, I have to move around and work out what the best angles are going to be.
Quotes to Explore
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I would say if you have a dream, follow it. It doesn't really matter whether you are a woman or from India or from wherever.
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I think, living in the city, it's so easy to forget that you're attached to the earth.
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I'm just a black hole for stuff. No one should ever hand me anything, because I get so easily distracted. I'll be like, 'Oh, look, something shiny!' I'm glad I never learned how to drive. I would be really dangerous.
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NATO remains the cornerstone of Atlantic security.
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Every time you work, you have to do it all over again, to rid yourself of this dross. I suppose for a person who is not an artist or not attempting art, it is not dross, because it is the common exchange of everyday life.
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When you are tough on yourself, life is going to be infinitely easier on you.
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I wanted to define the vocabulary of a wedding both visually and intellectually. The book is about more than weddings or wedding dresses. It's a metaphor for women's lives, their creativity.
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It's nature-nurture, right? I've been nurtured by Californians.
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Jenna's traveled with me; they've both traveled with their dad. This is the only time they've been old enough in all of their dad's campaigns to really be involved in.
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Los Cabos has been an amalgam of many cultures that have been coming here. There have been beautiful Jesuit missions for example, in many places around this area. The towns are incredible. But there is a very strong Mexicanized culture here that exists because people from different parts of Mexico have come to live here.
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Fear is the dark room where the Devil develops his negatives.
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One of the most precious parts of acting is the work before you show up on the set, the time you spend being with your character before you bring that character to life. To me, that's the most rewarding part of it all. It feels very good to show up on a set just knowing that's with you.
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I like beautiful clothing. I love Bergdorfs.
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I can go to a country song, go right into it and make it sound authentic. And I think that's because of my ear as an impressionist.
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Trials by the adversarial contest must in time go the way of the ancient trial by battle and blood.
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I really enjoy helping people out, and I enjoy time spent with kids.
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When I first started in film, I was terrified of the camera.
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American business at this point is really about developing an idea, making it profitable, selling it while it's profitable and then getting out or diversifying. It's just about sucking everything up.
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I just want to sound different than everyone else. I don't care if it sounds bad. I just want people to be like, 'Yo, that dude Benny was different.' Even if it sounds awful, at least they can't say, 'Oh well, I've heard that before.'
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When I started doing 'The City' in 1990, most papers ran it the width of the page, 10 inches or so. It was great! I had lots of room to draw and write. It was the golden age of weekly comix. Today, most run my strip half that size. I just try to make it legible. It's very frustrating.
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My father seemed always to know not only what I was doing, but what I was being.
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I was into comics because these were my real male role models, even though at the time, I didn't know it.
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Whenever I arrive on a real location, I have to move around and work out what the best angles are going to be.
