Pedro Almodovar Quotes
Whenever I arrive on a real location, I have to move around and work out what the best angles are going to be.

Quotes to Explore
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I would say if you have a dream, follow it. It doesn't really matter whether you are a woman or from India or from wherever.
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I think, living in the city, it's so easy to forget that you're attached to the earth.
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I'm just a black hole for stuff. No one should ever hand me anything, because I get so easily distracted. I'll be like, 'Oh, look, something shiny!' I'm glad I never learned how to drive. I would be really dangerous.
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NATO remains the cornerstone of Atlantic security.
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Every time you work, you have to do it all over again, to rid yourself of this dross. I suppose for a person who is not an artist or not attempting art, it is not dross, because it is the common exchange of everyday life.
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When you are tough on yourself, life is going to be infinitely easier on you.
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I wanted to define the vocabulary of a wedding both visually and intellectually. The book is about more than weddings or wedding dresses. It's a metaphor for women's lives, their creativity.
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It's nature-nurture, right? I've been nurtured by Californians.
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Jenna's traveled with me; they've both traveled with their dad. This is the only time they've been old enough in all of their dad's campaigns to really be involved in.
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Los Cabos has been an amalgam of many cultures that have been coming here. There have been beautiful Jesuit missions for example, in many places around this area. The towns are incredible. But there is a very strong Mexicanized culture here that exists because people from different parts of Mexico have come to live here.
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Fear is the dark room where the Devil develops his negatives.
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One of the most precious parts of acting is the work before you show up on the set, the time you spend being with your character before you bring that character to life. To me, that's the most rewarding part of it all. It feels very good to show up on a set just knowing that's with you.
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I like beautiful clothing. I love Bergdorfs.
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I can go to a country song, go right into it and make it sound authentic. And I think that's because of my ear as an impressionist.
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Trials by the adversarial contest must in time go the way of the ancient trial by battle and blood.
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I really enjoy helping people out, and I enjoy time spent with kids.
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When I first started in film, I was terrified of the camera.
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American business at this point is really about developing an idea, making it profitable, selling it while it's profitable and then getting out or diversifying. It's just about sucking everything up.
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One of my contemporaries, a colorless chap who worked much harder at his law studies, is now Prime Minister.
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And because we are, somehow, better than they, we get to go to heaven and they don't. Christians will tell you outright that they believe that.
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This is like my dad's race team where we had one Legend car. If we wrecked it, we couldn't race the next week unless we had enough parts to put it back together again.
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I can cry at the drop of a hat. I've always found that easier than laughing in films.
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The same sort of thing happened in my dispute with the National Trust book: Follies: A National Trust Guide, which implied that the only pleasure you can get from Folly architecture is by calling the architect mad, and by laughing at the architecture.
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Whenever I arrive on a real location, I have to move around and work out what the best angles are going to be.