Pedro Pascal Quotes
I was so obsessed with film and actors that I wasn't a very good student. I was always in trouble, but my father would always take us to the movies.
Quotes to Explore
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This is who I am: a flyspeck of human vanity in a trillion miles of stone-dead interstellar space; a graceless lump of flesh and fear in a remote desert where nearly everything that I can see or touch is designed to hurt me.
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When you love someone so much that you are in pain when you are apart it ends up being destructive. I never want to be in that place again.
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There are a lot of films that are drug dramas, and we didn't want to tell Scarface again.
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The Harvard Law states: Under controlled conditions of light, temperature, humidity, and nutrition, the organism will do as it damn well pleases.
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I want to live in a country that is not just a place but also an idea, and Jerusalem is the heart of the idea. There may be practical considerations, but a country cannot exist without an ethos, and Jerusalem is an ethos.
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An efficient government is dangerous in the hands of the wrong man. Sadly, the right sort of man never seems interested in the job.
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Because I was a dancer, I started going to auditions for musical theater, which forced me to sing.
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I've had completely gray hair since, like, 30.
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I'd never read 'Lord of the Rings' until I was asked to play Gandalf, so I didn't really know it was a frightfully famous book.
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I know it's a guy thing to chest bump, but me and my dancers chest bump before hitting the stage. Not too hard though...ouch!
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Literature at its fullest takes human nature as its theme. That's the kind of writing that interests me.
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I think, as far as branching out with acting, it would take something really right on the mark to distract me from music, because music is everything to me.
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In his enigmatic and cunning story 'The Crown of Feathers,' Isaac Bashevis Singer refuses to produce uncontradictory evidence of God's will but rather mixes all signals, jams the evidence, stalls every conclusion.
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I like my feet. I have a tattoo on my foot with my last name. They're dancer feet. They're pretty. My toes are proportioned nicely. And they're strong - I can pinch people with my toes.
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I hold this to be the highest task for a bond between two people: that each protects the solitude of the other.
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My work is focused on using data to tell stories and explore our common humanity.
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In the studio, there's no tiptoeing. As opposed to big, blow-out arguments, there are just lots of little solutions.
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Good twists are enormously hard to come by, and I think the best ones are earned ones. The idea that a story can take a left turn on you, it's easy to do, but it has to be done very, very carefully, or else you risk losing the audience's trust.
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Some of the perceptions from my professors were that I was less than or that I wouldn't be able to compete or wouldn't be able to meet the same bar as my peers. I don't want that for my daughter or for any of the girls who come into our program.
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I grew up the son of an acting teacher, so I was kind of introduced to all of these various methods early... I've never been really good at articulating how, what that process is in the way that Stanislavsky could.
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As an artist, you’re never happy with anything you do. It’s part of the process. You’re never really happy. I’m certainly not. That’s a good thing. It means you’re always striving to do better. You hope the next piece will be better.
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You don't know where you belong... You need something to swear to, As you fol-low blindly along; You just need to belong somehow.
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The actor is there to translate what's on the page onto the stage or the screen. So I find it important that an actor manages to actually get out of the way, vanish as a person behind the character, never to be seen or talked about again. That's my philosophy.
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I was so obsessed with film and actors that I wasn't a very good student. I was always in trouble, but my father would always take us to the movies.
