James Turrell Quotes
I started out with projected-light works and working indoors, but I'd prepare the walls - by sanding, etcetera - the way you'd prepare a canvas for painting.
Quotes to Explore
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I take care of my flowers and my cats. And enjoy food. And that's living.
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You might think the thinner version of yourself is going to be the most positive or confident, but that's not how it is for me. When I'm over 200 pounds, that's when I'm the most confident version of myself.
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The great questions of the day will not be settled by means of speeches and majority decisions but by iron and blood.
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About half the people at Valve have run their own companies, so they always have the option not just to take a job at another game company, but to go start their own company. The question you always have to answer is, 'How are we making these people more valuable than they would be elsewhere?'
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An actor has to embody a role.
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I've always been extremely physical. I was a gymnast for 15 years, and then I was a dancer for nine, so I was kind of looking for these parts. But we have a tendency in Denmark not to do many action films.
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I don't really do themes. I might accidentally, but themes are an emergent phenomena of the writing of the book, of just trying to get a story out there.
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Catalytic oxidation in living substances rests upon change of valency in an iron compound which is the respiratory oxygen-transferring ferment.
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Music is pretty intimate stuff and I can only work with very few people: Gonzalez being one, Mocky being another and, on a completely different level, Broken Social Scene. With Broken Social Scene it's not one-on-one, it's a one-on-12. It's very healthy, very comfortable, like a big pot luck supper among old friends.
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The fact is that surveys which media people openly admit to show that fewer than twelve percent of their customers believe they're doing a good job, while the average profit margin in television is in the neighborhood of eighty percent.
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I'm learning Spanish - I got Rosetta Stone for Christmas.
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I had experiences or exposure to music in church. I went to a church, it was very unique. It was a predominantly African American Catholic church. So they would have - one mass would be traditional church music, and then the other mass would be gospel music.
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Creative people are more prone to depression.
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As far as expectations go, you can never work for expectations. You have to work against them.
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Thus, in general, in the first instance, the direction of interest in empirical fact will be canalised by the logical structure of the theoretical system.
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I have a good relationship with Lifetime.
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A lot of me is very up, and you have to have light and shade. They are both important and you have to be able to balance them. You have to admit that sadness is part of you and that it enriches you. I use it in my work.
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Democracy is the art and science of running the circus from the monkey cage.
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So powerful is the light of unity that it can illuminate the whole earth.
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Or shall I go out as a light does, not first blown out by the wind, but grown tired and weary of itself - a burnt out light? Or finally, shall I blow myself out, so as not to burn out?
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When you're not as accessible, you get in a tent and get in your own head, and you start doing things that are a little out of touch. I think we've seen it happen with certain artists... people can't touch them; they're not touching people. They're only touching people in their circle.
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If you give somebody a lot of questions to answer and then they walk by a bowl of candy, they are more likely to grab the candy because they're tired out from answering questions and can't resist.
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I started out with projected-light works and working indoors, but I'd prepare the walls - by sanding, etcetera - the way you'd prepare a canvas for painting.
