Matt Smith Quotes
You can eliminate color and still have a painting that works, but you must have drawing, value and design.

Quotes to Explore
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My hair is not really white; it's kind of grayish, and I don't like the color. So I make it totally white with Klorane dry shampoo. That is the best thing to do because my hair is always clean.
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There are so many more women and men who deserve opportunities. People of color. Period.
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I will keep painting until I die.
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I'm such a girl because all the guys go for cars because of their engines or something like that. I like the colour and the design.
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I'd heard he was good, and what the hell sense does it make not to hire somebody because of their color?
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Bankruptocracy is as much a European predicament as it is an American 'invention.' The difference between the experience of the two continents is that at least Americans did not have to labour under the enormous design faults of the eurozone.
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I have to take it as a given that I have got a certain ability to do something. I can be an artist, which is take something and transform it into another thing. I can just see something, and I can see my painting.
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The mere drawing and painting world of the pattern designer and the applied artist must become a world that builds again.
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The only important thing about design is how it relates to people.
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I wrote as a kid, but I never wanted to be a writer, particularly. I had been drawing and painting for years and loved that.
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My painting does not come from the easel.
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Sunlight is painting.
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Before anything else, I started painting bulls and matadors. That was my initiation to paint.
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The year the bus drivers went on strike in Pittsburgh, I was twenty-three and living on the edge of the city in a neighborhood that was on the verge of becoming a ghetto. I had just been fired from a good job as a cartographer in a design studio where I had worked for about four months.
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I think it was just an opera. Now, you go to opera, you expect to see and hear what the opera is. So, it was Catfish Row. It was singers. Marvelous voices. It didn't make no difference what color they were.
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The cool thing for me is, I go to a lot of conventions - a lot of science fiction conventions like Comic-Con - and there are always a lot of attendants of color. And I think some people believe that black people or people of color are not into science fiction or hero shows or genre shows.
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I'm not really a fashion designer. I just love clothes. I've never been to design school. I can't sketch. I can't cut patterns and things. I can shorten things. I can make a dress out of a scarf.
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As an industrial designer, you design the thing by yourself, and then it goes away from you, whereas fashion is in constant relation to the body and to psychology. It makes it more complicated, and it makes it more challenging.
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When I am true to my inspiration, even fight for my design, the project always turns out well.
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I use printers to make prints of the images that I am creating. And I try to have that surface kind of replicated in the painting.
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The time has passed for our sensations in painting to be whispered. We wish them in the future to sing and re-echo upon our canvasses in deafening and triumphant flourishes.
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Sometimes the characters develop almost without your knowing it. You find them doing things you hadn't planned on, and then I have to go back to page 42 and fix things. I'm not recommending it as a way to write. It's very sloppy, but it works for me.
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You can eliminate color and still have a painting that works, but you must have drawing, value and design.