Gary Hume Quotes
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It's not part of my ambition to become fabulously rich. My plan was always to make my pictures, and hopefully people would buy them, and then I'd buy a studio, buy a house, help friends out, do bits and bobs - but I've no idea after that.
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I don't vote. I voted Labour once, in that moment of euphoria. I know that if people only made a voice for change, then change will happen, but I'm not that person. I'm painting pictures.
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I love to see a wood full of bluebells. Growing up in the Kent countryside, I have special memories of this brief annual spectacle.
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The surface is all you get of me.
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If I'm feeling desperate, I'll go out image-hunting. I'll go to news agents and stand at the rack flicking through magazines or go to second-hand bookshops. And then, bit by bit, like concrete poetry, I start to realise that I am drawn to particular things, and then I start wondering why that is.
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I lived on nothing for years - squatted where I lived and where I worked, stole electricity, made things from stuff I found in skips, used paper that had been discarded - you do everything you can do to keep going and not have to get a job.
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I'd like to give people leaden boots in galleries, so they'd be a bit slower in front of my paintings. And that's because I spend so much time looking at them. I can look at them a long, long time without getting bored. I disappear.
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People constantly describe me as a formalist or even a minimalist, but I'm not really bothered with the rules of painting or the history of painting. My approach is that everything is mine. I take what I can use from wherever, and then I forget where I've taken it from. But there is no point me making anything that looks like anyone else's.
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My desire to be an artist really came out of being broke and unemployed and incapable of holding a job down. That's what it was driven by for sure.
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A painting should be tough; it should have muscle, but I have to find some tenderness in it, too. There has to be that dynamic.
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One drawing demands to become a painting, so I start to work on that, and then the painting might demand something else. Then the painting might say, 'I want a companion, and the companion should be like this,' so I have to find that, either by drawing it myself or locating the image.
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My mum always liked poetry, and she had pictures on the wall, so there was this visual stuff around.
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Small paintings can be fantastic. But you can't often get a narrative out of a small painting. In any case, museums are huge places, and you want to take up some space.
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I have to take it as a given that I have got a certain ability to do something. I can be an artist, which is take something and transform it into another thing. I can just see something, and I can see my painting.
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I like things that are just about to go. Everything's leaving. Death is never far away from me. When you make something, death can't help but be in it.
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I'm more and more fascinated in my own work. I work from 10 A.M. until about 9 P.M., but it's not an obsession, it's a pleasure. There's never enough time.
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I'm probably not going to develop to a final state as an artist. Like, become better and better, more and more refined. Become 'pure.' I don't think that's going to happen to me, because I don't really see that as something I want to explore.
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All art becomes history as soon as it is made, so it is inevitably part of a tradition. It doesn't matter a toss if it is in paint or in film; it is all art.
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I don't make political work. I don't make work that criticises the state. I make as human work as I can.
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I want to paint something that's gorgeous, something that's perfect. So that it's full of sadness.
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I have to go with what the painting says to me. The painting is always informing me. I'm its servant; it's not mine. I'm doing what it wants.
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Sometimes I can see the whole painting from the outset in my mind's eye. But more often than not, that idea doesn't last the duration of the painting. Sometimes it comes out easy, just as I had envisaged. But that is reasonably rare.
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I do think you get lonelier and lonelier being an artist as you get older.
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The disenfranchised should be going to art school - not the franchised.