Matt Smith Quotes
Lyrical content is very important to me. I'm always trying to make sure the lyrics and music complement each other perfectly.
Quotes to Explore
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I hate the analyzing thing. People say, 'Why do you think your character did that? I don't know. I'm not an analyst, and they're not in psychotherapy. Unless it's a film where they're in therapy.
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College ain't so much where you been as how you talk when you get back.
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Do you want to tear your life apart and get rid of everything you've known as a lifestyle? Like seeing your family? Being with your friends? A fishing trip? A hunting trip? A night's sleep?
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I think any artist that's going to become anything in this world faces humility: with great humility comes great success.
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My own experience, though, as a business executive and as a governor, tells me that businesses are interested in a lot more than a low tax rate when they decide where to locate.
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Luckily, I have been offered the chance to play a South American, Hispanic and even a character from the Middle East in films. There are also a lot of TV series in the U.S. that have a strong presence of actors from India.
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As long as the Pentagon bankrolls the Pakistan army to fight its wars, and NATO troops remain in Afghanistan, there will be quarrels, charges of infidelity, a reduction in the household allowance, perhaps a separation - but a divorce? Never.
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The fact is that surveys which media people openly admit to show that fewer than twelve percent of their customers believe they're doing a good job, while the average profit margin in television is in the neighborhood of eighty percent.
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When you look at where the Democratic field is going relative to foreign policy, they are increasingly moving away from a policy of pre-emptive self-defense that the president has adopted since September 11.
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When I was growing up, it was so embarrassing to be from Jersey.
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I'm understated in my approach.
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I tried to use words that were dealing with the emotional quality that any human being could recognize in the way that they felt about their country. It's to do with the world we live in. That world is a brutal one and full of war. It's also full of many wonderful things and love and hope.
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You can instantly spot a Chanel woman, so I want to develop the Dior woman.
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I try to write life and not songs. People live life, and when you write life, you're going to mess around and touch somebody's heart, and they'll relate to you and what you're singing about.
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I know why jobs go, and I know why they come.
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For research, I like to go to the location of the places in the novels. The first thing that I do is involve my senses: I notice the smells; I open the trash cans and look at what people have thrown away.
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I was in my mid-teens when someone gave me a copy of 'Pears Encyclopaedia of Myth and Legends' as a birthday present. It sat on my shelves for many months before I looked at it. When I did, I couldn't stop reading it.
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People are so busy dreaming the American Dream, fantasizing about what they could be or have a right to be, that they're all asleep at the switch. Consequently we are living in the Age of Human Error.
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I don't even know if I always entirely get what I'm trying to say right away with lyrics. I like a lot of things that are more subtext. I grew up mishearing lyrics my whole life, but somehow there's so much more, too, that's implied in vocal delivery and the music itself and the gestural quality of it.
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'Losing My Edge' was an anthem for the aging music nerd, with lyrics detailing a comically epic list of historical dates, bands and attended gigs: the anti-hipster's defence against 'the art-school Brooklynites in little jackets and borrowed nostalgia for the unremembered Eighties.'
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The city - as the theater of experience, the refuge, the hiding place - has, in turn, been replaced by an abstraction, the fast lane. In the fast lane, the passive observer reduces everything - streets, people, rock lyrics, headlines - to landscape. Every night holds magical promises of renewal. But burnout is inevitable, like some law of physics.
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Our revolution is like Wikipedia, okay? Everyone is contributing content, [but] you don't know the names of the people contributing the content. This is exactly what happened. Revolution 2.0 in Egypt was exactly the same. Everyone is contributing small pieces, bits and pieces. We drew this whole picture of a revolution. And no one is the hero in that picture.
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Posion' introduced lyrics for the first time. It doesn't mean anything but people can relate to those words in whichever way they choose. That started to open up other possibilities to the band, both in the terms of the gigs and on record.
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Lyrical content is very important to me. I'm always trying to make sure the lyrics and music complement each other perfectly.
