Peggy Rathmann Quotes
It's really an interesting problem, trying to earn a living and serve art and serve kids. What I try to create are these visual layers so that readers feel the possibility exists that there might be something in the book they never saw before.
Quotes to Explore
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The day I finished 'Twilight,' I came home and started bulking up. For 'New Moon,' I'm 30 pounds heavier than I was in 'Twilight.'
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My work involves online dating, but I believe almost every behavior exhibited online has an offline corollary. Really, the medium doesn't change human nature.
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There's nothing wrong with a thick eyebrow; Frida Kahlo had them.
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Many people know that Ethiopia is poor. When I break a world record, maybe people get to know something else about Ethiopia, something good. We can't make planes or cars, we don't have the materials. We do what we can.
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Working manually is not considered bad in the U.S.
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I find the whole situation of confronting an audience terrifying.
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Unending was the stream, unending the misery, unending the sorrow.
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I would prefer to have a more appealing job. If I could still change careers, I would prefer it. This unfortunate art is made for long beards and ugly faces rather than for a relatively well-endowed woman.
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As preachers of the gospel of Jesus, do not expect worldly honors: these Jesus Christ neither took to himself, nor gave to his disciples.
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I haven't had that many weird encounters with fans, thank God.
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I think sincerity was my sole aesthetic and realism my experimental technique.
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One of the regular intervals of meditation in my life, believe it or not, is in my car.
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It's really hard to compete with Apple on pure coolness, and if you do, you're probably going to use some of the things they pioneered.
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There is enough of free-of-charge software available on the Net to ease building internet websites and contact pages, as well as implement email marketing campaigns.
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We coin concepts and we use them to analyse and explain nature and society. But we seem to forget, midway, that these concepts are our own constructs and start equating them with reality.
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I grew up in Oakland and Berkeley, California.
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I'm not sure anyone can understand a whole life, even their own.
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Conservatives like to insist that their judges are strict constructionists, giving the Constitution and statutes their precise meaning and no more, while judges like Ms. Sotomayor are activists. But there is no magic right way to interpret terms like 'free speech' or 'due process' - or potato chip.
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I am in an adolescence in reverse, as mysterious as the first, except that this time I feel it as a decay of the odds that I might live for a while, that I can sleep it off.
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I remember those days with Bergman with great nostalgia. We were aware that the films were going to be quite important, and the work felt meaningful.
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When our ancestors crouched about the camp fire at night, they told each other tales of gods and heroes, monsters and marvels, to hold back the terrors of the night. Such tales comforted and entertained, diverted and educated those who listened, and helped shape their sense of the world and their place in it.
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I'm not a good poker player, but I've got one bluffing technique - as long as you're quick with the blinds, you're fine.
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It's really an interesting problem, trying to earn a living and serve art and serve kids. What I try to create are these visual layers so that readers feel the possibility exists that there might be something in the book they never saw before.
