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I guess I have a fascination with the idea of puppeteering. I think, in a lot of ways, directing is puppeteering. I guess I see a lot of analogies between what puppeteers and filmmakers do.
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I wasn't delusional at all when I signed on to do 'Furious 7,' that it wasn't my creation. It's the seventh movie in a series, for goodness sake!
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I remembered a long time ago when 'A League of Their Own' came out, and they had the opening sequence with an older Geena Davis. We all just thought it was amazing, but you find out it actually wasn't Geena Davis; it wasn't makeup. It was basically finding an actress that looked like her, and then Geena just dubbed her voice.
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To some degree, this re-release is to let people remember what the first 'Saw' film was, and let them know there was a time in the 'Saw' history where it wasn't all about blood and traps.
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I love the idea of being the underdog, coming in with a take on this underdog character and completely blow people's expectations away. Like, 'Oh, you thought he was going to be a wimpy character? No no no.'
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Our culture today that we live in is getting so diverse, yet in Hollywood, there's not a lot of diversity.
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Geoff Johns is super talented, super smart. Part of what got me excited about the Aquaman character is his re-envisioning of Aquaman, the character, with 'The New 52.'
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I've always wanted to do a world creation story and visually create this amazing, incredible, magical kingdom.
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Whatever it is that makes your movie unique is something you should embrace.
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Still one of my favorite movies is the original 'The Haunting.' I love that style.
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If you come down to it, there's only a handful of worlds that action films live in. You have your car chases, your gun fights, and your fights.
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For me, the sound design and the musical score is a big part of what makes scary movies work.
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No one knows how much we went through to finish 'Furious 7.'
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I come from a very straight and adjusted suburban background.
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I'm always excited when I can discover new filmmakers.
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It's actually smarter to make a dumb film.
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I always try to better myself with every movie I make. I don't take anything sitting back, and so I try to learn from every film I make and carry that onto the next movie because I think it's important as a filmmaker to keep growing with each film, and I think I am growing with each movie.
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I'm terrified of the supernatural things, which is why I'm very grateful that I don't see things like that. Because if I did see things of the paranormal persuasion, I don't think I'd be able to continue making scary movies.
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Having such a diverse cast and crew is what makes the 'Fast & Furious' films so unique to all the other studio tent pole films that just have a very singular look to them.
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Just because I make movies in the scary world doesn't mean I want to visit scary worlds.
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A lot of these types of films - the vigilante or revenge drama - were so popular in the '70s because there was a feeling in the culture of loss of control.
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It all comes down to what is best for those particular genres, and if you believe in the stories that you're telling and the characters that you like that you want to tell those stories with, you can pretty much apply it to any genre.
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Favorite movie of all time? I hate being asked... that's like being asked, 'What's your favorite song?'
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What I would like with the Internet is to have it go faster.