James Wan Quotes
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There are expectations with sequels, and people want them to be bigger and better than the prequel.
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It's good to be finally able to afford food for a change. It's good to move on from potatoes and tin soup.
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I always say, what is cool for me with 'The Conjuring', is it's not just another scary set piece or another scary case; it's more about what I can do with the characters of Ed and Lorraine Warren.
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I think a lot of the Disney cartoons are scary when you watch them at a young age.
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I took a break from horror; I made three ghost movies back-to-back-to-back.
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If I have free time, I want to go to the beach, walk around a shopping mall, go grocery shopping. Live a little bit of life.
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People are so used to seeing John Goodman as a loveable dad or the quirky characters he played in the Coen Brothers films.
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I thought the marketing was really smart and really clever and unique at the time. It positioned 'Saw' as a horror film that was different from the other horror films that were in the crowded marketplace.
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I never realized how much I cherished having creative freedom.
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When I am making a sequel, it needs to be different from what you have already seen. Yet, it needs to maintain a certain discipline so that people still associate it with the prequel.
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People used to always complain that horror films have no stories, that it's all just about kills and stuff like that.
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I joke and I say, 'I need to go back to make a supernatural horror film just to so that I can make a movie that's grounded again.'
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I think, like most people, we are familiar with Aquaman. We grew up reading or watching this character on the peripheral. I was never so in depth with Aquaman as, let's say, I was with X-Men.
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I can make any kind of movies. I can put up with any kind of situation. And I can tackle them.
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I try to keep the number of projects I'm involved in down to one per year.
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The great thing about the 'Fast and Furious' world is everything is up for speculation. Yes, anything is a possibility.
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I guess I have a fascination with the idea of puppeteering. I think, in a lot of ways, directing is puppeteering. I guess I see a lot of analogies between what puppeteers and filmmakers do.
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I love high concept movies, but they can only work if the source of inspiration is really human - if they're driven by pain and strong emotions. Once you connect the audience with that, then I swear you can take them on the craziest journey, and they'll come along.
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I'm a big movie fan, and I want to make movies in every genre. I want to make my romantic comedy one day.
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You may not quite understand the cinematic tricks that go behind the making of a film, but as long as you feel it, I think that's the important thing.
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There's two aspects of film crafting that I'm very strict about, and that's how I move my camera and where I cut the film.
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The 'Saw' sequels went in a direction I wouldn't have gone in. With 'Insidious 2,' I wanted to push a potential franchise in the direction I thought it should go in.
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No one pretty much tells me what kind of horror films to make.
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If I can get the audience to connect with the characters emotionally - and they love who they are, they love the larger-than-life situation that they're in, but most of all get the audience invested in the characters - then I always feel like I can sort of put them in the most outrageous circumstances, and the audience is okay to go with that.