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Dancing is like riding a bike.
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Well, I am obsessive about my work. I throw myself in all the way.
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I think documentary filmmaking is a braver way to make films because it's real, and you're really there.
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Indiana Jones is very much an old-world kind of hero. He doesn't really have any kind of superpower or rely on any kind of technology to help him out of things.
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I'm awkward around girls.
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Music is pretty therapeutic.
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We're kind of in a voyeuristic world. We have TV shows that are all about watching people do weird things in houses. People are obsessed with that. There's live coverage of it.
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I never had a father figure so I never missed it.
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What's weird is that I work with these directors and then I start channeling them. I kind of turn into them a bit - which is cool when you're working with Clint Eastwood.
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I lost my mind at 15. I'd been shown a world where there were no boundaries, where everyone gave me all the power. And I was like, 'This is great!' Then that was gone. But I was like, 'Yeah, but I still want that.' I'd lost my humble, very quiet, introverted sensibilities which I think I definitely had as a kid.
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I sympathize with every kitchen porter.
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My favourite superhero is obviously Batman because he's the sexiest. But I can't imagine myself as Batman.
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I actually don't mind rats at all. I kind of think they're quite cute, but that's just me.
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I've got lots of weird illustrations of me from Japanese fans.
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Tap dancing is all about the feet; you put your head down and don't really engage with anything but the rhythm in your head.
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Surfing isn't really in my blood. It's hard to catch a big wave in Billingham.
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New York is full of crazy people, and I like that.
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My characters are often without a significant parental figure.
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I tap dance.
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I go into meetings with some film-makers and they literally have nothing to say, they're almost bored by their own material. I'd rather work with people who are very passionate and very animated about what they want to do. People who just want to tell stories.