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	I start with an idea in my head. I sketch it out quickly as a line drawing, using pencil. It never comes out quite right - usually a bit better than my mental picture.   
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	I need to find a way of retaining creative control.   
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	That was always my dream as a kid: to draw comic books.   
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	My mum was into pottery and embroidery, very artistic, and she knew some people from the college, which I think was how I got into it. My dad, who was a head-hunter, was also an incredible artist, and when he was very young, he was a really good cartoonist.   
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	I love zombie films.   
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	I'm all about doing things myself because I find it hard to trust other people. Not trust, but I know exactly what I want to do, and I know exactly how it's supposed to look.   
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	The more you draw, the better you get.   
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	I don't go to enough exhibitions, purely because it intimidates me.   
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	I used to love comic books, and I love American comedy, and neither are afraid to tackle big themes.   
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	It's not that I never do interviews or that I find them traumatic. It's just that I'm basically not that comfortable doing them.   
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	I have a problem with making eye contact with people, or with holding eye contact.   
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	Look at someone like Kanye West - ego is the death of a lot of art. To believe in yourself that much is to stop being an artist.   
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	I am in that position where I finish something, it goes out, and I'm onto the next thing. I finish it, it goes out, onto the next thing.   
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	If you're going to pretend to be somebody you're not - which is the whole point of being a rock star - then why not just invent fake characters and have them do it all for you?   
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	I'm much more at home with Daffy Duck than I am with a real person.   
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	I want to do stuff that excites me and is enjoyable.   
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	I see the 'z' in 'Humanz' as referring to robots, AI, programming, brainwashing, indoctrination. And it's a question to us: are we human, or are we humanz? Have we lost the ability to think for ourselves? Do we just believe what we're told? That's how I see it.   
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	I can draw and paint in many different styles, and use different mediums to create work.   
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	My parents weren't very good at keeping things, which is why I treasure my own sons' work so much now - I don't want to lose anything.   
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	I don't like collaborating too much.   
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	I grew up doubting myself. It was a very spotty, frustrating, worrying time.   
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	The art world's quite elitist. I tend to skirt around that world.   
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	Some comic artists I've known are better than most contemporary artists with work hanging in Tate Modern.   
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	I can't see anybody wanting to go to 'Tank Girl: The Musical!'   
