Jamie Lee Curtis Quotes
My deal was that they would use a full-length picture of me in my underwear and a full-length picture of me all done up, and they would write about how long it took and how much it cost, because that was the whole point. It was very liberating.
Quotes to Explore
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In general, writers shouldn't be killed for what they write, though I can think of exceptions.
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I would never write a memoir, because it would be too boring.
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I just realized quite early on that I'm not going to be the type who can write a novel every two years. I think you need to feel an urgency about the act. Otherwise, when you read it, you feel no urgency, either. So I don't write unless I really feel I need to, and that's a luxury.
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Every story I create, creates me. I write to create myself.
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I would love to do a Broadway play. I would love to do big screen also, motion picture.
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Life is painting a picture, not doing a sum.
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I never write about the road. I never write about hotels or anything like that.
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There's a picture there that people realize that, we stop helping Israel, we lose God's hand, and we're in big time trouble.
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Even though I know who I am, musically I'm a blank canvas. I know what colors I want to use, but I don't know what picture I want to paint yet.
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If I had to rank my skills, I have a long way to go before I can write a good graphic novel.
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There are hundreds of books about Woodrow Wilson, but I have an image of him in my mind that is unlike any picture I have seen anywhere else, based on material at Princeton and 35 years of researching and thinking about him.
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The most interesting letters I received about 'The Name of the Rose' were from people in the Midwest that maybe didn't understand exactly, but wanted to understand more and who were excited by this picture of a world which was not their own.
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I slept in van Gogh's bed. I worked in the room where he painted. I saw the place where he was cared for when he cut off his ear. I lived in the jail cell where he stayed. And I looked out the window. You remember that picture of the cornfields through the bars? That was what I saw.
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I don't think of myself as Scottish or lesbian when I sit down and write. I am glad I have broken out of that limited audience.
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'The One-Eyed Man' is a novel that was one I never intended to write.
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I don't write constantly; it's two serials and a novel a year.
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It's hard for young players to see the big picture. They just see three or four years down the road.
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Right from the very beginning, I knew I wanted to write palpably Scottish fiction.
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I say I write extrapolations. I look at data points and ask what the world could look like.
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I look at the camera as sort of a missing link between motion picture photography and still photography.
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I wrote when I did not know life; now that I do know the meaning of life, I have no more to write. Life cannot be written; life can only be lived.
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I tried all my life to be a normal person. Stars are in the sky. I like cooking and gardening.
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I've had 60 years of ups and downs, and all of the downs that I've had, I'm happy that I've had them because it's taught me to appreciate all the ups.
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My deal was that they would use a full-length picture of me in my underwear and a full-length picture of me all done up, and they would write about how long it took and how much it cost, because that was the whole point. It was very liberating.
