Frank Vincent Quotes
When you're acting on camera, you don't really think of your voice. You think of the whole instrument - your body, your look, and whatever you have to do. But when you're doing the voiceover, you're thinking only of your voice. You really can't compare the two different mediums.
Quotes to Explore
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The sole ultimate factor in human decisions is physical force. This we must learn, however repugnant the idea may seem, if we are to protect ourselves and our institutions. Reliance on anything else is fallacious and ruinous.
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A long life in journalism convinced me many presidents ago that there should be a large air space between a journalist and the head of a state.
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Who knows what would have become of me, if my parents had not had their influence on me.
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Fear is the dark room where the Devil develops his negatives.
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With this film, 'Need For Speed,' with this, we had a blank canvas to work with. What we had to do was have fast cars, and that's it.
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I enjoy speaking to other women about turning 50, and how we can enjoy it, and how we can explore it.
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Islam was hijacked on that September 11, 2001, on that plane, as an innocent victim.
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I think the market should reward banks that have been transparent in recognising their problems. I think the tendency of banks to hide the problem assets over a period of three or four years should not be allowed.
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It's always interesting about God because it's like all of the religions in the world say that they pray to the same God, and yet they ask that same one God to divide itself up and agree with this one and fight against that one.
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I came up with a story and I wrote it.
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Before Booker T. Washington, we have small business owners but we do not have a philosopher of black entrepreneurship, and that's what Washington was.
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In the five months I wrote the final draft of 'The Association of Small Bombs,' I never fell out of the book. The world was real to me: plausible and powerful.
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I think media people know we're good at making content and how we can be smart about how to consume it. It's always a balance.
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I love doing serious movies for adults.
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I know that it isn't just violence against women, it's how do we support ourselves and our families, how do we deal with health care for ourselves and our families? It's a bigger picture.
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I'm a big routine guy. I have to have everything in threes.
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I wanted to go to New York and be a stage actress, doing things like Chekhov. None of that happened, and then I went to L.A. and an agent said, 'I think you belong in commercials and TV.' So I did that and got some opportunities that I absolutely love.
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We definitely “grow” demos. In the beginning, we have a rough idea, and it usually is a work in progress for a few months. We usually have a couple going at the same time. When a song gets “there”, we will then zero in on it, and focus and finish it.
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A lot of things can't be modeled very well.
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The cultural expectation should be if there's infidelity, the marriage is more important than fidelity.
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Animation is a fascinating area from an acting point of view because it's not really like anything else because you are only providing a portion of the performance. That's very inspiring and it forces you to do things in a different way - to tell stories through your voice.
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When you're acting on camera, you don't really think of your voice. You think of the whole instrument - your body, your look, and whatever you have to do. But when you're doing the voiceover, you're thinking only of your voice. You really can't compare the two different mediums.
