Eddie Van Halen Quotes
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I'll always leave the same set of strings on my guitars when I'm recording. If I break one I'll just replace it instead of putting on a whole new set of strings.
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It's all about sound. It's that simple. Wireless is wireless, and it's digital. Hopefully somewhere along the line somebody will add more ones to the zeros. When digital first started, I swear I could hear the gap between the ones and the zeros.
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There are really three parts to the creative process. First there is inspiration, then there is the execution, and finally there is the release.
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I never took guitar lessons. I took classical piano lessons from the age of six when we lived in Holland. And when we moved to America, it was just the typical thing except I was really good at it; so was my brother.
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I grew up on a lot of early Beatles, DC5, Cream, Clapton, Page, Beck and Hendrix.
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Imagine if Beethoven had a tape recorder. Then you'd know exactly what he meant. Maybe he meant 'Da da da da' instead of 'Boom boom boom boom!' Who knows?
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I never dreamt of being a musician for my livelihood. I certainly never would have wanted to be in the business that I'm in, meaning the fame and the glory, the glitter, the rock star, the famous part.
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It comes back to the same old question people are always asking me: 'When are you going to do a solo record?' Well, if I did, it would probably be similar to 'Baluchitherium,' meaning it would be Van Halen music - which I write anyway - but without singing.
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On 'Honeybabysweetiedoll' I used a Whammy, a Boss OC-3 octave box, a Sustainer and a Line 6 DL4 Delay Modeler. That's only on the intro, where all those weird noises are happening.
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Every song is like a kid. How can you have that many kids and have a favorite? Which one do I like to hang most with?
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When I was growing up and listening to bands like the Dave Clark Five, the groove was what initially got me going. I really like that funky, heavy groove.
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I don't feel a day older when it comes to my approach to music or what gets me off than when I was a teenager. I've always been into different kinds of stuff and when I play I like to play loud. I like my arm hairs to move and I like my body to vibrate 'cause I like the feel of it; I'm still a teenager at heart.
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I have pictures of me sitting in the racquetball court in my pajamas with an acoustic guitar, and Wolfgang is probably just two-and-a-half-feet tall. I'll never forget the day I saw his foot tapping along in beat! I knew then, I couldn't wait for the day I'd be able to make music with my son. I don't know what more I could ask for.
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I'm the one in the band that said I'm not going on tour unless we do a record.
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David Lee Roth had the idea that if you covered a successful song, you were half way home. C'mon - Van Halen doing 'Dancing in the Streets'? It was stupid. I started feeling like I would rather bomb playing my own songs than be successful playing someone else's music.
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Before the operation on my left hand I wasn't able to stretch my fingers open all the way. I've never had very big hands, but I could do the splits with them. Eventually I couldn't any more. I had a twisted tendon in my little finger that prevented me from being able to stretch.
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A guitar is a very personal extension of the person playing it. You have to be emotionally and spiritually connected to your instrument. I'm very brutal on my instruments, but not all the time.
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And if I would have taken lessons I probably wouldn't have done it, and what forced me to do all this weird stuff on the guitar was I couldn't afford effects pedals, I didn't have all this stuff when I was a kid so I just tried to squeeze all the weird noises I could out of the guitar, which brings me to building guitars.
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Obviously you have to have rhythm. If you have rhythm, then you can play anything you need. If you have rhythm and you love music, then play and play and play until you get to where you want to get. If you can pay the rent, great. If you can't, then you'd better be having fun.
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It's always a Catch-22 situation. They hate you if you're the same, and they hate you if you're different.
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It's funny, when bands or younger musicians ask me: 'So, what does it take to make it?' Well, first explain to me what you mean by 'making it': Do you want to be a rock star or do you want music to be your livelihood?
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I destroyed a lot of guitars trying to get them to do what I wanted, but I learned something from every guitar I tore apart, and discovered even more things. Things like if the string is not straight from the bridge saddle to the nut, you're going to have friction.
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I'll be making music 'til the day I die. I've done all kinds of stuff, and more is coming.
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There's a plaque on our wall that says we've sold over 65 million albums, and I don't feel I've accomplished anything. I feel like I'm just getting started.