Frank Scott Quotes
Quotes to Explore
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I see my role as a scholar announcing that women's feelings of unworthiness and insecurity often may be traced to training in a male-oriented religion, and I'm trying to investigate a richer spiritual life for both sexes.
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There's guys like me who aren't going to the theater, so distributors are leaving money on the table.
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Is regulation per se bad? Is better regulation bad? I think better regulation is good for the business community, and I think that's something we should get together on.
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My work was entirely nonfiction.
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In Bollywood, if you work with a superstar, even if you are a newcomer, you become a superstar. That didn't happen with me.
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I think there are ways to get so caught up in your career and being so heavy and dramatic, and everyone wants to be a tortured genius.
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Our Bollywood stars who talk of being part of 100 crore films, I think I belong to the 1,000 crore club.
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I'm under pressure with all my films. And the reason we are always under pressure is because it's only in our profession that months and even years of hard work is judged by the first show on Friday.
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Constant togetherness is fine - but only for Siamese twins.
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Security for agriculture merits serious concern by not only the agricultural community but our nation as a whole. The risk to the U.S. food supply and overall economy is real.
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I studied the lives of jazz singers who would tour Europe, and... what I learned was life was big ride for them. They'd seen the dark side of humanity... but touring the world playing jazz, it was a truly carefree way of living. A great escapism, if you like.
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I always had the theory that the most important thing is be happy, enjoy what are you doing, and be fresh mentally.
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An influential member of parliament has not only to pay much money to become such, and to give time and labour, he has also to sacrifice his mind too - at least all the characteristics part of it that which is original and most his own.
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The best way to cope with trouble is to stay out of it as much as possible.
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I played violin and got into that Suzuki program in the second grade.
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I've written a screenplay that is a series of monologues and songs; they form this sort of human tapestry across time and place. The form is strange, but I find it really fascinating.
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If you wanted to build an Internet startup in 2005, you had to buy your own servers and hire someone to manage it. Now, that's unheard of.
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China - if you think about what is the character of China, it's enormous scale. It's bigness.
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To hear of a thousand deaths in war is terrible, and we 'know' that it is. But as it registers on our hearts, it is not more terrible than one death fully imagined.
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Ballet can be grueling, for sure, but it gives you a certain discipline.
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I think all our characters are an amalgam of people we know in our world and ourselves.
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We can realise a lasting peace and transform the East-West relationship to one of enduring co-operation.
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The media, the polls and our legislatures fortunately have short attention spans.
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I was brought in touch with developing post World War I ideas in Europe.
