Nonfiction Quotes
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My work was entirely nonfiction.
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Nonfiction that uses novelistic devices and strategies to shape the work. That's material that I really like.
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There is no longer any such thing as fiction or nonfiction; there's only narrative.
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Creative non-fiction is such a liberating genre because it allows the non-fiction writer, whether he or she be journalist or essayist, to use all of the techniques of the fiction writer and all of the ideas, creative approaches, that fiction writers get a chance to use, but they have to use it in a true story.
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It's the technique, I think, of writing a novel that is difficult for a nonfiction writer.
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People respect nonfiction but they read novels.
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I read nonfiction almost exclusively – both for research and also for pleasure. When I read fiction, it's almost always in the thriller genre, and it needs to rivet me in the opening few chapters.
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It's hard to do fiction and nonfiction simultaneously.
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I tend to read non-fiction.
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After the Dance was my first attempt at nonfiction. I'd never really participated in carnival, and I really wanted to go. It sounded like a wonderfully fun thing to do. And I wanted to write something happy about Haiti, something celebratory. And going to carnival gave me a chance to do that, because it is one of the instances in Haiti when people shed their class separation and come together.
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I consider myself a writer, foremost - a nonfiction writer.
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I love to read nonfiction and memoir, but I'm mostly interested in the piece of writing more than the person.
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I remember reading an interview with a writer who said that in nonfiction if you have one lie it sort of messes it up. But in fiction the real details give you so much more credibility, because people do so much research just to write fiction. In fiction you're trying to recreate something lifelike.
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I contend that in the kind of nonfiction I write, and that other people also pursue, anything is permissible provided the reader knows what you're taking liberties with.
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After writing fiction for so long, I like the discovery element of nonfiction, in the sense that when you find the right information, it feels like gold.
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I used to be a freelance journalist, so I had to write fast, but I always found writing nonfiction constraining. I like the freedom of fiction, where I get to invent everything, and tidy, conclusive endings are within my control.
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I often read nonfiction, and some of my ideas begin there.
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A fictional character living in a nonfiction world.
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In early drafts, one of the trickiest things for me to do was to realize that the techniques and devices that make readable and compelling nonfiction are not always identical to the ones that make good fiction.
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Every time I write a nonfiction book I get sued.
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I started writing nonfiction because nonfiction is well-suited to subjects that, if you wrote them as fiction, people would say, "I don't believe this. This is a little outlandish".
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One of underestimated tasks in nonfiction writing is to impose narrative shape on an unwieldy mass of material.
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With the historical fictions, I was already doing so much research, and so much of the stories was anchored by historical truth that the move to nonfiction didn't feel all that dramatic - just another half-step to the right.
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In fiction, you learn about pacing and how to build tension - which is something you want in a really good nonfiction feature article as well.