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I'm writing another novel and I know what I'm going to do after, which may be something more like this again, maybe some strange mixture of fiction and non-fiction.
Penelope Lively
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I can walk about London and see a society that seems an absolutely revolutionary change from the 1950s, that seems completely and utterly different, and then I can pick up on something where you suddenly see that it's not.
Penelope Lively
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Conventional forms of narrative allow for different points of view, but for this book I wanted a structure whereby each of the main characters contributed a distinctive version of the story.
Penelope Lively
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I have long been interested in landscape history, and when younger and more robust I used to do much tramping of the English landscape in search of ancient field systems, drove roads, indications of prehistoric settlement.
Penelope Lively
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I'm not an historian but I can get interested - obsessively interested - with any aspect of the past, whether it's palaeontology or archaeology or the very recent past.
Penelope Lively
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Equally, we require a collective past - hence the endless reinterpretations of history, frequently to suit the perceptions of the present.
Penelope Lively
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The consideration of change over the century is about loss, though I think that social change is gain rather than loss.
Penelope Lively
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Every novel generates its own climate, when you get going.
Penelope Lively
