Penelope Lively Quotes
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The Photograph is concerned with the power that the past has to interfere with the present: the time bomb in the cupboard.
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I can walk about London and see a society that seems an absolutely revolutionary change from the 1950s, that seems completely and utterly different, and then I can pick up on something where you suddenly see that it's not.
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Conventional forms of narrative allow for different points of view, but for this book I wanted a structure whereby each of the main characters contributed a distinctive version of the story.
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The pleasure of writing fiction is that you are always spotting some new approach, an alternative way of telling a story and manipulating characters; the novel is such a wonderfully flexible form.
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Equally, we require a collective past - hence the endless reinterpretations of history, frequently to suit the perceptions of the present.
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I have long been interested in landscape history, and when younger and more robust I used to do much tramping of the English landscape in search of ancient field systems, drove roads, indications of prehistoric settlement.
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The consideration of change over the century is about loss, though I think that social change is gain rather than loss.
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Every novel generates its own climate, when you get going.