Jamie Wyeth Quotes
-
We lived in my father's studio, so there were the brushes and the pencils and the paint. So it would - it was very natural for me to want to paint, I think, and it was never a question.
-
Nothing is more uninteresting than completely knowing somebody, being totally at ease.
-
Warhol had a huge effect on me. It wasn't that I sought it out. It was more of a natural evolution.
-
Painting is a field that attracts a lot of lazy people. You can just sort of sit and wait for things to come to you. I know a lot of painters who'll sit and chat it up all night. But God, I just can't do that.
-
My sketchbooks are usually just a line on one page or a circle, which to most people must be totally meaningless. But to me, they are very important to the thing I am working on.
-
Art was a way of life in my family. My grandfather, N.C. Wyeth, who died a year before I was born, had been a prominent painter. So was my father, Andrew. My two aunts and two of my uncles also earned a living as painters.
-
I spent a lot of time alone; I left school to be tutored. So, most of my companions were animals. It's as simple as that. I knew more animals than I did people.
-
My father was a great inspiration, and there was a bit of competition between us. He'd work in his studio, and I'd work in my space, but the door was always half open.
-
I have hundreds of art books and the biographies of artists I love, such as Thomas Eakins and Edgar Degas.
-
I paint every day. I really have no hobbies. That's all I do.
-
To me, dance is so ethereal and elusive, so much of an illusion. After a performance, that's it. With vocals and music, you have good recordings.
-
There's a quality of life in Maine which is this singular and unique. I think. It's absolutely a world onto itself.
-
I thought to live on an island was like living on a boat. Islands intrigue me. You can see the perimeters of your world. It's a microcosm.
-
Growing up in Chadds Ford, Pa., I shuttled between studio space in my parents' house and my grandfather's studio just up the hill. It was a solitary childhood, but I loved it.
-
The real kiss of death - particularly with my father - is the extraordinary popularity of his work.
-
I had been elected to the National Academy of Design in New York, and one of the requirements was that you give a portrait, a self-portrait of yourself.
-
Dance looks absurd on film, I think, like little puppets moving around.
-
The whole consideration of - ... am I being compared as such and such's grandson and son - that was minuscule compared to the problems I was having just working... I didn't have time to start worrying about who I was in the eyes of the public.
-
I have continued to paint; my father - who was savaged by the critics - continued to paint until practically the last week of his life.
-
I view anything on this farm as model. I actually painted Union Rags as a yearling.
-
To me, this was an oxymoron, doing a painting of a dancer. Dancers are always moving.
-
I immediately doubt things if I become satisfied with them. Being satisfied by something is a real danger for me. I hope I never lose that. That would be death.
-
My aunt Caroline was really a character. She lived and worked in my grandfather's old house and even wore some of his clothes.
-
My father's like - it's as if he was transparent. He's a man of great mystery, whereas apparently N.C. Wyeth was 6-feet, 2-inches tall, with a booming voice. I think that's reflected in their work.