Jamie-Lynn Sigler Quotes
Quotes to Explore
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'Frontline' started doing digital content in 1995. We started streaming our films in 2000.
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The world is always in movement.
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I need to feel as if everything is clean and in its proper place before I can even attempt to write one word. At least, that's what I tell myself. I make the bed, I put away the dishes, maybe I dust, maybe I do the laundry, maybe I go to the post office.
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When the dictators and the opportunists are gone, the cross will still stand before us and something in us will say, 'That is the real thing.'
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I really want to have actors contribute their own ideas, with phrasings and ideas on all levels.
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It's the fans that need spring training. You gotta get 'em interested. Wake 'em up and let 'em know that their season is coming, the good times are gonna roll.
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My sculptures cause an uproar, astonishment, and put a smile on your face.
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I wear tweed jackets and button-down shirts. I am a 1955 graduate of Harvard University who drives a 1968 Mercedes.
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The idea that happiness could have a share in beauty would be too much of a good thing.
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He's really sort of the devil. He's completely emotionally detached. He has no empathy. You find that in psychopaths. It's about power with Voldemort. It's an aphrodisiac for him. Power makes him feel alive.
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The iPod completely changed the way people approach music.
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I never, never thought one day I will sing at La Scala or I will get the Grammy. I'm lucky. I work a lot with a teacher, with my coach.
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My best time is a 3:20 in Paris in 2010, and I trained to try for a 3-hour marathon in New York, but Hurricane Sandy hit, and it was canceled.
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The system of nature, of which man is a part, tends to be self-balancing, self-adjusting, self-cleansing. Not so with technology.
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A person can't have everything in this world; and it was a little unreasonable of her to expect it.
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If people want to find me, they can. They'll see a middle-aged woman wandering around the grocery store, looking to see what to buy for dinner.
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Contemporary architects tend to impose modernity on something. There is a certain concern for history, but it's not very deep.
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I come by writing dialogue fairly naturally, I've got a chatty family; I'm a bit of a voyeur, and if I'm ever in a public place, I automatically find myself listening.
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The model of the human habitat dictated by zoning is a formless, soul-less, centerless, demoralizing mess. It bankrupts families and townships. It disables whole classes of decent, normal citizens. It ruins the air we breathe. It corrupts and deadens our spirit.
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In many ways my paintings are about energy - both in how they are created and the image itself.
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The noble grotesque involves the true appreciation of beauty.
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You’ve got to get the fundamentals down because otherwise the fancy stuff isn’t going to work.
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I'm strong and spiritual, and I know that everything will work out for a reason.
