Jane Alexander Quotes
Senator Helms might very well do that. I would point out to him that we in the art world are not necessarily in the business of making controversial art.
Quotes to Explore
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All wars, even the noblest, bring a reckoning of means and ends.
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I like a little bit of designer, with a bit of vintage and high street mixed in. I love it when you find those one-off key pieces, which end up becoming investment pieces.
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My son, George, has been a bad, bad boy! Right, George?
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It was a movement that had all the art critics, all the museum directors in its thrall.
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If Bret went in there and stunk the place out, then they probably wouldn't have brought the little brother in. So just by being successful himself, it opened the door for me.
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The Sunday School teacher talked too much in the way our grade school teacher used to when she told us about George Washington. Pleasant, pretty stories, but not true.
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I thought that communism, the tyranny of communism, was an abomination and I beseeched God to bring that terrible evil down and he did. It was a great triumph, it took awhile, but it happened.
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I haven't listened to much music lately; I've been out of it.
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There have been times when I've reflected on my international career and just thought: 'Well that was a massive waste of time.' Sorry for sounding sour, but my best mate, David Beckham, got butchered after the World Cup in 1998, then my brother, Phil, after Euro 2000.
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You don't need to wear Spanx if you buy my clothes. The dress, the trousers, the pencil skirt - they should do the work.
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Close friends consider me a literary snob.
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I think escapism is something artists write about pretty frequently - it's something everyone can relate to, the concept of wanting something more, wanting to find solace, wanting to have something better.
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We served on the editorial board of a literary monthly called Face in 1968 and 1969. He was a young writer, and I was also interested in broad cultural issues. We agreed on all major issues and became friends.
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It used to be that you needed a $500-million-a-year company in order to reach a worldwide audience of consumers. Now, all you need is a Steam account. That changes a whole bunch of stuff. It's kind of a boring 'gee, information processing changes a stuff' story, but it's going to have an impact on every single company.
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Criminals are never very amusing. It's because they're failures. Those who make real money aren't counted as criminals. This is a class distinction, not an ethical problem.
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Because of lies, we can produce and invent a possible world.
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It's hard to say this about a guy like Eddie Van Halen, one of the greatest guitar players who ever lived, but he's really limited to a style and they're locked into it.
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In recent years, the government has lost more than five million fingerprints from government employees. They have lost hundreds of millions of credit numbers from financial institutions. This problem is happening more and more and more. And the only way we can protect ourselves is to make phones more and more secure.
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I would say a good leader brings results. A great leader writes a new story, it's different. Obviously a new story has to incorporate a lot of results. But a story is a chapter in the life of a company that people want to write and want to remember.
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Kate Moss, for example - she's never given a lot of interviews. She stays so mysterious. Nobody knows who she is, really.
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I lived in France during the '60s. I was there from the early '60s until 1970, so my view of the '60s is more global. It was a time of tremendous transition, not only for America but for the whole world.
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Poetry is not an art or a branch of art: it's something more.
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Karou saw them with her human eyes, this army she had rendered more monstrous than ever nature had, and she knew what the world would see in them if they flew to fight the Dominion: demons, nightmares, evil. The sight of the seraphim would be heralded as a miracle. But chimaera? The apocalypse.
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Senator Helms might very well do that. I would point out to him that we in the art world are not necessarily in the business of making controversial art.
