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Use your gifts faithfully, and they shall be enlarged; practice what you know, and you shall attain to higher knowledge.
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That which in England we call the middle class is in America virtually the nation.
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Journalism is literature in a hurry.
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Physician of the Iron Age, Goethe has done his pilgrimage. He took the suffering human race, He read each wound, each weakness clear - And struck his finger on the place, And said - Thou ailest here, and here.
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Where great whales come sailing by, Sail and sail, with unshut eye, Round the world for ever and aye? When did music come this way? Children dear, was it yesterday?
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Sad Patience, too near neighbour to despair.
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Coldly, sadly descends The autumn evening. The Field Strewn with its dank yellow drifts Of wither’d leaves, and the elms, Fade into dimness apace, Silent;-hardly a shout From a few boys late at their play!
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Time may restore us in his course Goethe’s sage mind and Byron’s force; But where will Europe’s latter hour Again find Wordsworth’s healing power?
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And amongst us one, Who most has suffer’d, takes dejectedly His seat upon the intellectual throne.
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We do not what we ought, What we ought not, we do, And lean upon the thought That chance will bring us through.
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All are before me! I behold The House, the Brotherhood austere! - And what am I, that I am here? For rigorous teachers seized my youth, And purged its faith, and trimm'd its fire, Show'd me the high, white star of Truth, There bade me gaze, and there aspire. Even now their whispers pierce the gloom: What dost thou in this living tomb?
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I keep saying, Shakspeare, Shakspeare, you are as obscure as life is.
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Weep bitterly over the dead, for he is worthy, and then comfort thyself; drive heaviness away: thou shall not do him good, but hurt thyself.
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So, loath to suffer mute. We, peopling the void air, Make Gods to whom to impute The ills we ought to bear.
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The World in which we live and move Outlasts aversion, outlasts love: Outlasts each effort, interest, hope, Remorse, grief, joy.
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Oh, hide me in your gloom profound, Ye solemn seats of holy pain! Take me, cowl'd forms, and fence me round, Till I possess my soul again; Till free my thoughts before me roll, Not chafed by hourly false control!
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Creep into thy narrow bed, Creep, and let no more be said!
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The sea of faith Was once, too, at the full, and round earth’s shore Lay like the folds of a bright girdle furled. But now I only hear Its melancholy, long, withdrawing roar, Retreating, to the breath Of the night-wind, down the vast edges drear And naked shingles of the world.
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Wandering between two worlds, one dead, The other powerless to be born, With nowhere yet to rest my head, Like these, on earth I wait forlorn.
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Eutrapelia. 'A happy and gracious flexibility,' Pericles calls this quality of the Athenians...lucidity of thought, clearness and propriety of language, freedom from prejudice and freedom from stiffness, openness of mind, amiability of manners.
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The grand style arises in poetry, when a noble nature, poetically gifted, treats with simplicity or with severity a serious subject.
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Coleridge, poet and philosopher wrecked in a mist of opium.
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Cruel, but composed and bland, Dumb, inscrutable and grand, So Tiberius might have sat, Had Tiberius been a cat.
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One must, I think, be struck more and more the longer one lives, to find how much in our present society a man's life of each day depends for its solidity and value upon whether he reads during that day, and far more still on what he reads during it.