Ralph Kiner Quotes
Quotes to Explore
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When I was 11, I realised that I did not have to live the life my mother had: school, marriage, children, apartment, summer house.
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Oh wow, you know what's wrong with all these families on TV? All these kids say stuff no kid would say. Stuff grown-ups want them to say. Man, I'd make a really realistic family. Where kids get spankings. On TV parents say, 'Oh, you shouldn't do that ever again. Now you can have ice cream.' Forget it.
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I distrust Great Men. They produce a desert of uniformity around them and often a pool of blood too, and I always feel a little man's pleasure when they come a cropper.
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Hollywood is strange in and of itself. People dress up and pretend to be other people, and you can either make millions of dollars, or no money. It's odd.
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I've been hyper-conscious about staying away from rubbish. I don't eat white bread, white rice or cereal unless it's porridge.
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The fight for freedom must go on until it is won; until our country is free and happy and peaceful as part of the community of man, we cannot rest.
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I think every job I do, I sort of look for the challenge in. I mean, that's why we do this job. It's not, you know, obviously not for the money or for the fame, it's for, I guess finding out more about yourself.
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I don't have any fear of intimacy, but rather thrive on it, which is rare in a public person.
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I think being idle is quite hard for me to do.
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I was never that kid who used to brag about anything.
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Once you make it to your point of making it, you'll appreciate the struggle.
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We hear a lot about rebuilding Detroit, and we just spent $70 billion to bail out the auto industry - well, they need to be cost competitive, too. If they have high-cost energy, those suppliers are going to move to Japan or Mexico instead of Michigan and Tennessee.
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It's important for women to work. They need to keep their independence, to keep earning and being challenged.
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I always say three things make a writer: inspiration, obviously; perspiration, doing the work. But the third is desperation. I'm not really fit for anything else, or to have a real job. That fear drives me. The pressure has always been self inflicted.
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I write 'Broad City,' so I connect it to me.
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I've never cared for the idea of a career path, or where a film might 'take me.' My love is for acting not money, so I only take on roles that I find challenging, in stories I find interesting.
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No eulogy is due to him who simply does his duty and nothing more.
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I smoke, isn't that terrible?
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I didn't know anything about writing a screenplay, but somehow I ended up rewriting a screenplay.
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If you put people up on pedestals, there's only one way for them to go, and that is down.
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I love home. I'll stay up there for days on end, I won't even go down the driveway to look for the mail.
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Like the bat, the Sufi is asleep to 'things of the day' - the familiar struggle for existence which the ordinary man finds all-important - and vigilant while others are asleep. In other words, he keeps awake the spiritual attention dormant in others. That 'mankind sleeps in a nightmare of unfulfillment' is a commonplace of Sufi literature
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There's a bootleg album that was recorded when I was 14 or 15, a compilation of things live at different clubs. Songs like Girl from Ipanema and Cry Me A River. I don't know what the title of it is.
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Cadillacs are down at the end of the bat.
