Jane Birkin Quotes
Any film I see at two o'clock in afternoon with my mother seems to cast a strange spell that means we both come out sobbing.
Quotes to Explore
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It's better to do a film that works.
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I like the way hip-hop is now. It's grown up enough so that it can get involved with politics if it feels like it.
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Every time a blast happens, people ask, 'But why would someone do this?' Weirdly, it hasn't been answered well anywhere - neither in fiction nor non-fiction.
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I started out in Scotland, not as a footballer of any note, and I didn't play to draw the attention of people abroad.
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Iraq did not spontaneously opt for disarmament. They did it as part of a ceasefire, so they were forced to do it, otherwise the war might have gone on. So the motivation has been very different.
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What people say isn't going to stop me. I have to do things for myself.
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In the 19th century, a lot of people were against outlawing child labour, because to do so would be against the very foundations of a free market economy: 'These children want to work, these people want to employ them... what is your problem? It's not as if anyone has kidnapped them...'
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I've discovered that I value simplicity above all in dressing. I don't like anything I wear to be too complicated or fussy.
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Around 14, I was turned on to Shania, Reba, Merle Haggard, Garth Brooks, Trisha Yearwood... and I've followed it ever since.
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Freedom is secured every day by our men and women in uniform. We must build a future worthy of their sacrifice.
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Dried porcini add a substantial, deep flavour to otherwise more neutral vegetables. I use them in risottos, mashed roots and winter soups.
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I had thought about becoming a civil rights lawyer, but I gave it up.
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Gird your hearts with silent fortitude, suffering yet hoping all things.
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I met Ray Charles at 14, and he was 16. But he was like a hundred years older than me.
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I always knew I'd be more of a character actor than a leading man, and I always wanted to take that and run with it.
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It's a tragedy. It was tragedy for Freddie Gray and the family. It was a tragedy for the city. And we're still trying to figure out how it happened and why it happened.
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I used to play shows in D.C. and then drive back to New York to work at 6 A.M. So there are those moments, and you just really need to power through them. Eventually, it builds on itself.
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It was all encompassing and so hard for me to do any classes or take up any hobbies - I'd wake up with this gnawing feeling in my stomach that I wasn't doing what I was meant to do.
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I'll have wine or a piece of cake once in a while, but I don't look at it as sliding backwards, even if I go a whole week without working out. I don't dwell on it and beat myself up - I just try to have a healthier day tomorrow.
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I don't have a typical filmmaker background. I didn't grow up with a super eight camera or a video camera. I didn't start cutting movies when I was four or five.
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I don't think people will ever forget I was an 'Angel', anymore than they'll forget Sally Field was 'The Flying Nun.'
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There is really nothing like doing a play in New York.
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Any film I see at two o'clock in afternoon with my mother seems to cast a strange spell that means we both come out sobbing.
