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Any film I see at two o'clock in afternoon with my mother seems to cast a strange spell that means we both come out sobbing.
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Jacques Doillon wanted me to be in his film, 'La Fille Prodigue,' and there I was, expecting, for some reason, this great bearded man, when a splendid looking red-Indian style man appeared at my door. I said no to his film because I knew that if I said yes, I would run off with him.
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I don't like getting older, but there's nothing I can do. Hitting 60 wasn't great, but I think I was lucky in not being that beautiful; it can be really cruel on people who have been stunning.
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My mother was right: When you've got nothing left, all you can do is get into silk underwear and start reading Proust.
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I grind my teeth and keep my thumbs in so tight that I've dislocated them, just not to scream. Sometimes as an actor one is lucky enough to be asked to scream.
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I never have more than one bag at a time. I think one is already quite enough. Also, I hate changing bags, so I never have the thing of having ten bags. Any bag that's with me will take the same course as I will. It will take the same airplanes and will be squashed in the same way and will be used as a cushion in the airports.
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I think there is an extreme charm in the French, and actually it's their bolshiness that makes them such fun.
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Big Ben... hearing the chimes makes me feel at home.
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I always hang things on my bags because I don't like them looking like everyone else's.
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I love Dickens because it makes me chuckle to myself so. He has taken me to another world and out of so many earthly miseries.
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He painted me when I was young because he was in love with me, but now that he has loved me he doesn't paint me anymore.
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If you fall in love with a country and its people, that makes any country warm to you.
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A Birkin bag is a very good rain hat; just put everything else in a plastic bag.
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I don't much enjoy travelling, but I have always longed to take a slow train to Russia. I'd like to go alone - like writers do - with only a pencil and piece of paper as company. I'd take my sketchbook and note down all the wonderful details of other travellers.
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I think it's always good to read local authors or relevant books. In Egypt, I studied hieroglyphics and read everything about the mummies.
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There's no fun in a bag if it's not kicked around so that it looks as if the cat's been sitting on it - and it usually has. The cat may even be in it! I always put on stickers and beads and worry beads. You can get them from Greece, Israel, Palestine - from anywhere in the world.
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I put some red stuff on my mouth and cheeks so I look healthy - any old red lip pencil and a lip colour from Dr. Hauschka in a crushed berry tone. I never put anything on my eyes, or I look like Joan Crawford.
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One of the things I've discovered, thanks to the Japanese, is that you should enjoy yourself. In the old days, I used to think: 'Oh, never be satisfied, never admit to being happy.' But there's no curse in being happy.
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I have never written a book about my life, despite being offered purses of gold. I made 'Boxes' because I wanted to make a sincere depiction of a daughter who has lost her father, or the jealousy one can feel towards a daughter who has become more beautiful than you and whose stepfather starts to take her shopping.
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My first husband, John Barry, was a composer. I couldn't believe that this sophisticated, talented genius chose me and not any of the other girls. I was so flattered, so excited, so in love with him. Of course, my parents were horrified, as he'd been married once and had a daughter with the au pair girl.
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David Attenborough... has that wonderful, breathy voice, and he's always so fascinated by what he's seeing. There's nothing about him that I can't find attractive.
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It's usually a jolly good trick to pick up a local tour guide. They can tell you all the anecdotes that make a place interesting. I'm one for rushing off to museums at the crack of dawn, eating fabulous things on terraces for lunch, and enjoying long dinners on balmy evenings.
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Keep smiling - it takes 10 years off!